Cynthia Ozick

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Cynthia Ozick (born April 17, 1928) is an American short story writer, novelist, and essayist.<ref>Articles about Cynthia Ozick, The New York Times</ref>

BiographyEdit

Cynthia Ozick was born in New York City. The second of two children, Ozick was raised in the Bronx by her parents, Celia (née Regelson) and William Ozick. They were Jewish immigrants from Russia, and proprietors of the Park View Pharmacy in the Pelham Bay neighborhood.<ref name=brockes/>

She attended Hunter College High School in Manhattan.<ref name="jwa.org">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> She earned her B.A. from New York University and went on to study at Ohio State University, where she completed an M.A.<ref name=brockes /> in English literature, focusing on the novels of Henry James.<ref name="Profile: Cynthia Ozick">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

She appears briefly in the film Town Bloody Hall, where she asks Norman Mailer, "in Advertisements for Myself you said, quote, 'A good novelist can do without everything but the remnant of his balls'. For years and years I've been wondering, Mr. Mailer, when you dip your balls in ink, what color ink is it?".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ozick was married to Bernard Hallote, a lawyer, until his death in 2017. Their daughter, Rachel Hallote, is a professor of history at SUNY Purchase and head of its Jewish studies program. Ozick is the niece of the Hebraist Abraham Regelson.<ref name="Profile: Cynthia Ozick"/>

Yale University has acquired her literary papers.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> A forthcoming special issue of Studies in Jewish American Literature will examine her contributions to the art of non-fiction.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Literary themesEdit

Ozick's fiction and essays are often about Jewish American life, but she also writes about politics, history, and literary criticism. In addition, she has written and translated poetry.

Henry James occupies a central place in her fiction and nonfiction. The critic Adam Kirsch wrote that her "career-long agon with Henry James... reaches a kind of culmination in Foreign Bodies, her polemical rewriting of The Ambassadors."<ref>Template:Cite book</ref>

The Holocaust and its aftermath is also a dominant theme. For instance in "Who Owns Anne Frank?"<ref>Template:Cite magazine</ref> she writes that the diary's true meaning has been distorted and eviscerated "by blurb and stage, by shrewdness and naiveté, by cowardice and spirituality, by forgiveness and indifference."<ref>Template:Cite magazine</ref> Much of her work explores the disparaged self, the reconstruction of identity after immigration, trauma and movement from one class to another.<ref name="brockes">Template:Cite news</ref>

She has also written on the subject of Jewish feminism. Her 1976 essay “Notes Toward Finding the Right Question” examined emergent Jewish feminist theology and argued that women’s inequality was not in question in Scripture, but in the misogyny of halakha.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Her essay “Torah as the Matrix of Feminism” argued that the basis for feminism and gender equality emerged directly from the theology of the Torah.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ozick says that writing is not a choice but "a kind of hallucinatory madness. You will do it no matter what. You can't not do it." She sees the "freedom in the delectable sense of making things up" as coexisting with the "torment" of writing.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On the occasion of the publication of In a Yellow Wood, a collection from Everyman's Library of her short stories and essays, Ozick remarked on the "profound jubilation of writing...when you're carried away by unexpected forces."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Awards and critical acclaimEdit

In 1971, Ozick received the Edward Lewis Wallant Award and the National Jewish Book Award<ref name="Past Winners">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> for her short story collection The Pagan Rabbi and Other Stories.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> For Bloodshed and Three Novellas, she received, in 1977, The National Jewish Book Award for Fiction.<ref name="Past Winners"/> In 1997, she received the Diamonstein-Spielvogel Award for the Art of the Essay for Fame and Folly. Four of her stories won first prize in the O. Henry competition.<ref name="jwa.org"/>

In 1986, she was selected as the first winner of the Rea Award for the Short Story. In 2000, she won the National Book Critics Circle Award for Quarrel & Quandary.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Her novel Heir to the Glimmering World (2004) (published as The Bear Boy in the United Kingdom) won high literary praise. Ozick was on the shortlist for the 2005 Man Booker International Prize, and in 2008 she was awarded the PEN/Nabokov Award and the PEN/Malamud Award, which was established by Bernard Malamud's family to honor excellence in the art of the short story. Her novel Foreign Bodies was shortlisted for the Orange Prize (2012) and the Jewish Quarterly-Wingate Prize (2013).<ref name=jq2012>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The novelist David Foster Wallace called Ozick one of the greatest living American writers.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> She has been described as "the Athena of America's literary pantheon", the "Emily Dickinson of the Bronx", and "one of the most accomplished and graceful literary stylists of her time".<ref name="Profile: Cynthia Ozick"/>

BibliographyEdit

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NovelsEdit

  • Trust (1966)
  • The Cannibal Galaxy (1983)
  • The Messiah of Stockholm (1987)
  • The Puttermesser Papers (1997)
  • Heir to the Glimmering World (2004) (published in the United Kingdom in 2005 as The Bear Boy)
  • Foreign Bodies (2010)
  • Antiquities (2021)

Short fictionEdit

Collections
Stories<ref group=lower-alpha>Short stories unless otherwise noted.</ref>
Title Year First published Reprinted/collected Notes
The coast of New Zealand 2021 Template:Cite journal
The Biographer's Hat 2022 Template:Cite journal
A French Doll 2023 Template:Cite journal
The Story of My Family 2024 Template:Cite journal

DramaEdit

  • Blue Light (1994)

Non-fictionEdit

Essay collections
  • All the World Wants the Jews Dead (1974)
  • Art and Ardor (1983)
  • Metaphor & Memory (1989)
  • What Henry James Knew and Other Essays on Writers (1993)
  • Fame & Folly: Essays (1996)
  • "SHE: Portrait of the Essay as a warm body" (1998)
  • Quarrel & Quandary (2000)
  • The Din in the Head: Essays (2006)
  • Critics, Monsters, Fanatics, and Other Literary Essays (2016)
  • David Miller, ed. Letters of Intent: Selected Essays (2017)
Miscellaneous
  • A Cynthia Ozick Reader (1996)
  • The Complete Works of Isaac Babel (introduction 2001)
  • Fistfuls of Masterpieces<ref group=lower-alpha>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

Critical studies and reviews of Ozick's workEdit

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Notes

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See alsoEdit

ReferencesEdit

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Further readingEdit

External linksEdit

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