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Art Pepper

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Template:Short description Template:Use mdy dates Template:Infobox musical artist

Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982)<ref name=Bakers>Template:Cite book</ref> was an American jazz musician, most known as an alto saxophonist. He occasionally performed and recorded on tenor saxophone, clarinet (his first instrument) and bass clarinet. Active primarily in West Coast jazz, Pepper first came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's greatest altoist" at the time of his death in 1982.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Early lifeEdit

Art Pepper was born in Gardena, California, United States.<ref name="Dupuis">Dupuis, Robert. "Art Pepper." Contemporary Musicians: Profiles of the People in Music. Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print.</ref> His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at the age of nine, switched to alto saxophone at 13,<ref name="LarkinJazz">Template:Cite book</ref> and immediately began jamming on Central Avenue, the black nightclub district of Los Angeles.

CareerEdit

Template:Moresources At the age of 17, he began playing professionally with Benny Carter and then became part of the Stan Kenton orchestra, touring with that band until he was drafted in 1943. After the war, he returned to Los Angeles, and joined the Kenton Innovations Orchestra.<ref name="LarkinJazz"/> By the 1950s, Pepper was recognized as one of the leading alto saxophonists in jazz, finishing second only to Charlie Parker as Best Alto Saxophonist in the DownBeat magazine Readers Poll of 1952. Along with Chet Baker, Gerry Mulligan, and Shelly Manne, and perhaps due more to geography than playing style, Pepper is often associated with the musical movement known as West Coast jazz, as contrasted with the East Coast (or "hot") jazz of Charlie Parker, Dizzy Gillespie and Miles Davis. Some of Pepper's best known albums from the 1950s are Art Pepper Meets the Rhythm Section, Art Pepper + Eleven – Modern Jazz Classics, Gettin' Together, and Smack Up.<ref name="LarkinJazz"/> Other recordings from this time appear on The Aladdin Recordings (three volumes), The Early Show, The Late Show, Surf Ride, and Art Pepper with Warne Marsh (also issued as The Way It Was!), which features a session recorded with tenor saxophonist Warne Marsh.

His career was repeatedly interrupted by several prison stints stemming from his addiction to heroin,<ref name="LarkinJazz"/> but Pepper managed to have several productive "comebacks". Remarkably, his substance abuse and legal travails did not affect the quality of his recordings, which maintained a high level of musicianship throughout his career until his death in 1982.

His last comeback saw Pepper, who had started his career in Stan Kenton's big band, becoming a member of Buddy Rich's Big Band from 1968 to 1969. After beginning methadone therapy in the mid-1970s, he toured Europe and Japan with his own groups and recorded many albums, mostly for Galaxy Records, a subsidiary of Fantasy Records. Pepper's later albums include Living Legend, Art Pepper Today, Among Friends, and Live in Japan.<ref name="LarkinJazz"/>

Personal lifeEdit

Pepper lived for many years in the hills of Echo Park, in Los Angeles. He became a heroin addict in the 1940s, and his career was interrupted by drug-related prison sentences in 1954–56, 1960–61, 1961–64, and 1964–65; the final two sentences were served in San Quentin.<ref name=Bakers/> While in San Quentin, he played in an ensemble with saxophonist Frank Morgan.<ref name="McPartland">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In the late 1960s, Pepper spent time in Synanon, a rehabilitation program that turned out to be a cult.

His autobiography,<ref name="abio">Straight Life: The Story Of Art PepperTemplate:Dead link by Art Pepper and Laurie Pepper, Da Capo Press (reprint of original 1979 book published by Schirmer Books, a division of MacMillan Publishing).</ref> Straight Life (1980, co-written with his third wife Laurie Pepper), discusses the jazz music world, as well as drug and criminal subcultures of mid-20th century California. Among the many anecdotes shared from his life, Pepper boasts of raping a woman while stationed in London during the Second World War (deserved, in his view, because he had shared whiskey and walked several miles with her).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Soon after the publication of this book, director Don McGlynn released the documentary film Art Pepper: Notes from a Jazz Survivor,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> discussing his life and featuring interviews with both Art and his wife Laurie, as well as footage from a live performance in a Malibu jazz club. Laurie Pepper also released an interview to NPR.

Pepper died of a stroke in Los Angeles on June 15, 1982, aged 56.<ref name="abio"/><ref>Template:Cite bookTemplate:Dead link</ref> He is interred in the Abbey of the Psalms Mausoleum in the Hollywood Forever Cemetery, Hollywood.

DiscographyEdit

File:Stan Kenton, Eddie Safranski, Shelly Manne, Chico Alvarez, Ray Wetzel, Harry Betts, Bob Cooper, and Art Pepper, 1947 or 1948 (William P. Gottlieb 13171).jpg
Stan Kenton, Eddie Safranski, Shelly Manne, Chico Alvarez, Ray Wetzel, Harry Betts, Bob Cooper, and Art Pepper (second from right), 1947 or 1948

As leaderEdit

As sidemanEdit

Template:Col-begin Template:Col-2 With Chet Baker

With Toni Harper

  • Lady Lonely (RCA, 1959)
  • Night Mood (RCA, 1960)

With Stan Kenton

With Milcho Leviev

  • Blues for the Fisherman (Mole, 1980) – live
  • True Blues (Mole, 1980) – live

With Shorty Rogers

Template:Col-2 With others

Template:Col-end

TranscriptionsEdit

Published transcriptions:

  • Jazz Styles and Analysis: Alto Sax by Harry Miedema. Chicago, Fifth Printing, February 1979. Includes Broadway.
  • Straight Life: the Story of Art Pepper by Art Pepper and Laurie Pepper. New York and London, 1979. Template:ISBN. Includes the head of Straight Life.
  • Jazz 2: Sax Alto. Transcribed by John Robert Brown. International Music Publications, Woodford Green, Essex, 1986. Template:ISBN. Includes 'Round Midnight.
  • The Genius of Art Pepper. Foreword by Laurie Pepper. North Sydney, Warner/Chappell Music, 1987. Template:ISBN. Includes: Arthur's Blues; Blues for Blanche; Funny Blues; Landscape; Make a List Make a Wish; Mambo de la Pinta; Mambo Koyama; Mr Big Falls his J.G. Hand; Our Song; Road Game; September Song; Tete a Tete. All transcriptions include parts for Alto and Rhythm; Funny Blues also has a part for Trumpet.
  • Masters of the Alto Saxophone Play The Blues. Jazz Alto Solos. Transcribed by Trent Kynaston and Jonathan Ball. Corybant Productions, 1990. Includes True Blues.
  • The Art Pepper Collection. Foreword by Jeff Sultanof. Milwaukee, Hal Leonard, 1995. Template:ISBN. Includes: Art's Oregano; Diane; Landscape; Las Cuevas de Mario; Make a List (Make a Wish); Mr. Big Falls his J.G. Hand; Ophelia; Pepper Returns; Sometime; Straight Life; Surf Ride(I); Surf Ride(II); That's Love; The Trip; Waltz Me Blues.
  • West Coast Jazz Saxophone Solos transcribed and edited by Robert A. Luckey, Ph.D. Features 15 recorded solos from 1952 to 1961, including five solos by Art Pepper. Olympia Music Publishing, 1996. Template:ISBN.

Transcriptions available on the Internet:

BibliographyEdit

A more extensive bibliography is issued by the Jazzinstitut Darmstadt

  • 1956: John Tyna, "Art Pepper... Tells the Tragic Role Narcotics Played in Blighting His Career and Life", Downbeat, September 19, 1956, p. 16.
  • 1957: John Tynan, "Art Pepper Quartet", Downbeat, May 16, 1957, p. 34.
  • 1960: J. McKinney, "Art Pepper: Profile of a Comeback", Metronome, lxxvii, September 1960, p. 26.
  • 1960: John Tynan, "The Return of Art Pepper", Downbeat, xxvii/8, 1960, p. 17.
  • 1960: John Tynan, "End of the Road", Downbeat, xxvii/25, 1960, p. 13.
  • 1964: John Tynan, "Art Pepper's not the Same", Downbeat, xxxi/22, 1964, p. 18.
  • 1965: Ernie Edwards Jr. et al. "Jazz Discographies Unlimited" Presents "Art Pepper". A Complete Discography Compiled by Ernie Edwards, Jr. Jazz Discographies Unlimited, Spotlight Series, Vol. 4. October 1965. 22pp.
  • 1973: C. Marra, "Art Pepper: 'I'm Here to Stay!Template:'" Downbeat, xl/4, 1973, p. 16.
  • 1975: L. Underwood, "Pepper's Painful Road to Pure Art". Downbeat, xlii/11, 1975, p. 16.
  • 1979: Art Pepper and Laurie Pepper, Straight Life: the Story of Art Pepper. New York and London, 1979. Template:ISBN. Includes a discography.
  • 1979: P. Welding, "Art Pepper: Rewards of the Straight Life", Downbeat, xlvi/18, 1979, p. 16.
  • 1979: Chris Sheridan, "The Contemporary Art of Pepper", Jazz Journal International, Vol. 32, No. 9, September 1979, p. 9.
  • 1979: "The evolution of an individualist". Interview with Les Tomkins.
  • 1980: "Art Pepper", Swing Journal, xxxiv/1, 1980, p. 162.
  • 1980: "At Ronnie's". Interview with Les Tomkins.
  • 1980: "A rich past, and a bright future". Interview with Les Tomkins.
  • 1981: "New Fields Still to Conquer"; Interview with Les Tomkins.
  • 1981: Gary Giddins, "The Whiteness of the Wail", in Riding on a Blue Note. New York: Oxford University Press, 1981, pp. 252–257. (An article originally published in July 1977.)
  • 1986: David Nicholson Pepperell, "Art Pepper: I Want to Play so Bad", Wire Magazine, Issue 28, June 1986, pp. 26–31.
  • 1986: Gary Giddins, "Art Pepper, 1926-1982", in Rhythm-a-ning: Jazz Tradition and Innovation in the 80s. New York: OUP, 1986, pp. 106–108. (An article originally published in June 1982.)
  • 1992: Ted Gioia, "Straight Life", in West Coast Jazz: Modern Jazz in California, 1945-1960. New York and Oxford: OUP, 1992, pp. 283–307 (Chapter Fourteen). Template:ISBN.
  • 2000: Todd Selbert, The Art Pepper Companion: Writings on a Jazz Original. Cooper Square Press, 2000. Template:ISBN.
  • 2014: Laurie Pepper, ART: Why I Stuck with a Junkie Jazzman. Arthur Pepper Music Corporation Template:ISBN
  • 2014: Lily Anolik, "The Tale of the Tape". Harper's Magazine, September 2014.

ReferencesEdit

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External linksEdit

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