Chicago XI

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Chicago XI is the ninth studio album by the American rock band Chicago. It was released on September 12, 1977, through Columbia Records. It was both the last to feature guitarist and vocalist Terry Kath prior to his death in a gun accident just over four months later, and the last to be produced by longtime band associate James William Guercio.

Chicago XI was a commercial and critical success for the band, reaching the top 10 in the US and garnering generally positive reviews. Three singles were released from the album—"Baby, What a Big Surprise", "Little One", and "Take Me Back to Chicago"—with the former reaching number four on the Billboard Hot 100. Chicago XI would become the band's last album to make the top 10 until Chicago 16 in 1982.

The cover design for the album is called "Regional Map" on the group's official website.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Background

According to the web site Ultimate Classic Rock, Chicago XI seems like a collection of solo songs rather than the work of the ensemble whole Chicago had been earlier in the 1970s.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Peter Cetera aimed to replicate the success of the Grammy-winning "If You Leave Me Now" with "Baby, What a Big Surprise", which proved to be the album's biggest hit, going to No. 4 on the Billboard Hot 100.<ref>Template:Cite magazine</ref> This was his only writing contribution to the album and, quite atypically, the only song with him on lead vocals. Terry Kath revived his old live favorite "Mississippi Delta City Blues" for the album, while turning in a touching vocal on Danny Seraphine's "Little One." Seraphine also co-wrote "Take Me Back to Chicago", which charted at No. 63.<ref>Template:Cite magazine</ref>

Kath, who was planning a forthcoming solo album,<ref>Template:Cite news Template:Free access</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> may have intended "Takin' It On Uptown" — which, besides some uncredited backup singers, possibly features only Kath himself — as a solo album "preview" along the lines of Lamm's "Skinny Boy" on Chicago VII.Template:Refn James Pankow sang lead on his own "Till the End of Time," as did Lee Loughnane on his original, "This Time." The once prolific Robert Lamm contributed only two songs, "Policeman" and "Vote For Me."

Upon its September 1977 release, Chicago XI (Columbia 34860) reached No. 6 in the US on the Billboard 200,<ref>Template:Cite magazine</ref> stayed in the charts for 20 weeks and went platinum in October the same year.<ref>Template:Cite news</ref> It did not chart in the UK.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

While recording Chicago XI, longtime producer James William Guercio's smothering artistic control had reached its breaking point, with the band deciding to take their career into their own hands and strike out on their own after finishing the album with him.<ref>Template:Cite AV media notes</ref> However, as big a change in their career as Guercio's dismissal would be for Chicago, it would be minor in comparison to the tragedy that awaited them.

On January 23, 1978, a few months after Chicago XITemplate:'s release, Terry Kath, regarded by many as the "soul" of Chicago, accidentally and fatally shot himself during a party at roadie Don Johnson's house. A gun enthusiast, Kath attempted to calm the guests' surprise when—while reportedly inebriated—he pulled out his gun to clean it by demonstrating that it was unloaded and promptly pointed the gun to his head and pulled the trigger, not realizing a bullet was in the chamber. The remaining members of Chicago were shocked and devastated by Kath's death, and even considered breaking up. After a few weeks of mourning, they decided to move on, thus beginning a new era in the band's history. They would recruit singer/guitarist Donnie Dacus for the follow-up, Hot Streets.<ref>Template:Cite news</ref><ref name= Ruhlmannp8>Template:Cite AV media notes</ref>

In 2002, Chicago XI was remastered and reissued by Rhino Records with rehearsal recordings of Pankow's "Wish I Could Fly" (backing track) and Lamm's "Paris" as bonus tracks.

Critical reception

Template:Album ratings In her review of the album for The Sydney Morning Herald, Christine Hogan said, "If there had never been a Chicago X, this album would have been the best ever made by these perennials."<ref>Template:Cite newsTemplate:Free access</ref> Writing for The Evening Journal, Hugh Cutler called the album a "critical and commercial triumph" and said it even drew a "rave review" from Rolling Stone.<ref>Template:Cite newsTemplate:Free access</ref>

Record World described the single "Little One" as "a mid-tempo love song," saying that "the brass and vocal arrangements stand out as always."<ref name=rw>Template:Cite magazine</ref>

Personnel

Chicago

• Robert Lamm – acoustic piano, Hammond organ, clavinet, Fender Rhodes, lead and backing vocals
• Terry Kath – electric guitars, acoustic guitars, percussion, lead and backing vocals
• Peter Cetera – bass, backing vocals, lead vocals on "Baby, What a Big Surprise"
• James Pankow – trombone, keyboards, percussion, lead vocals on "Till the End of Time", brass arrangements
• Walter Parazaider – saxophones, flute, clarinet
• Lee Loughnane – trumpet, piccolo trumpet, flugelhorn, lead vocals on "This Time"
• Danny Seraphine – drums, percussion
• Laudir de Oliveira – percussion

Additional personnel

• David "Hawk" Wolinski – ARP synthesizer on "Take Me Back to Chicago"; Fender Rhodes on "Little One"
• James William Guercio – acoustic guitars and bass on "Baby, What a Big Surprise"
• Tim Cetera – additional backing vocals on "Baby, What a Big Surprise"
• Carl Wilson – additional backing vocals on "Baby, What a Big Surprise"
• Chaka Khan – backing vocals and incredible preach at end of "Take Me Back to Chicago"
• Dominic Frontiere – orchestral conception and conducting on "Baby, What a Big Surprise"; orchestration for "The Inner Struggles of a Man"; string and orchestral arrangements for "Little One"
• The Voices of Inspiration – choir on "Vote for Me"

Production

• Producer – James William Guercio
• Audio engineer – Wayne Tarnowski
• Assistant engineer – Tom Likes
• Strings recorded by Armin Steiner at Sound Labs (Hollywood, California).
• Audio mastering – Mike Reese at The Mastering Lab (Los Angeles, California).
• Album cover design – John Berg
• Logo design – Nick Fasciano
• Inside photography – Reid Miles

Charts

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Chart (1977)	Peak position
Australian Albums (Kent Music Report)<ref>Template:Cite book</ref>	7
Italian Albums (Musica e Dischi)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }} Set "Tipo" on "Album". Then, in the "Artista" field, search "Chicago".</ref>	15
Japanese Albums (Oricon)<ref>Template:Cite book</ref>	37