Edward Jesse
Template:Short description Template:Use dmy dates Template:Infobox person Edward Jesse (14 January 1780 – 28 March 1868) was an English writer on natural history. As a surveyor for the Office of Works, he was responsible for much of the restoration and presentation of Hampton Court Palace after it was opened to the public in 1838.
LifeEdit
Jesse was born at Hutton Cranswick, Yorkshire, the third son and youngest of four childrenTemplate:Efn of Reverend William Jesse (1738–1814) and Mary Jesse.Template:Sfn<ref name=":0">Template:Cite journal</ref> Originally the parish vicar for Hutton Cranswick, Rev. Jesse later became a prominent evangelical vicar in West Bromwich and personal chaplain to the 2nd Earl of Dartmouth, a convert of Selina Hastings.<ref>Template:Cite book</ref><ref>Template:Cite book</ref>
Jesse was privately educated, and in 1798 was appointed to a clerkship in the Santo Domingo office.Template:Efn Jesse's command of French recommended him to the 3rd Earl of Dartmouth, who made Jesse his private secretary on his appointment in 1801 as President of the Board of Control (overseeing the British East India Company).<ref name=":0" /> Following his promotion to Lord Steward in 1802, Dartmouth commended Jesse to the Royal Household, and Jesse was appointed to the ceremonial post of Gentleman of the EwryTemplate:Efn in 1803 (which he held until its abolition in 1832).<ref>Template:Cite book</ref>Template:Sfn Jesse was also commissioned a lieutenant colonel of the Birmingham Volunteers,Template:Sfn and on the corps disbandmentTemplate:Efn the Duke of Rutland appointed Jesse as captain in the Leicestershire Militia in 1805.<ref name=":0" /> In 1814 Jesse was made a Commissioner of Hackney Coaches (or 'Jarvies'), which he held until responsibility for coach licensing was transferred to the Stamp Office in 1831.Template:SfnTemplate:Sfn
Jesse was made a clerk in the Office of Woods and Forests by Lord Glenbervie c. 1821,<ref name=":0" />Template:Sfn and following the abolition of the posts of Gentleman of the Ewry and Hackney Coach Commissioner, was appointed Itinerant Deputy Surveyor in the Office of Woods, Forests and Land Revenues, with responsibility for Hampton Court Palace and Windsor Castle, in 1834.Template:Sfn On the abolition of this office he retired on a pension, and he died in 1868 at Brighton.
Jesse married his first wife, Matilda Morris, daughter of Sir John Morris, 1st Baronet in 1807. Their son, John, born 1809, became a noted court historian. Their eldest daughter Frances, born 1810, married Edward Curwen, a lieutenant in the 14th Dragoons, in 1833.<ref>Template:Cite book</ref> Their youngest daughter Matilda, born 1811, became a noted author and women's rights activist.<ref>Template:Cite ODNB</ref> Following Matilda's death c. 1851, Jesse married Jane Caroline in 1852, who survived him.Template:Sfn
WorksEdit
Natural historyEdit
The result of his interest in the habits and characteristics of animals was a series of pleasant and popular books on natural history. He also edited Izaak Walton's The Compleat Angler. (See Bibliography).
Guide booksEdit
Jesse contributed to the second edition of Leitch Ritchie's Windsor Castle, and edited later editions of Gilbert White's Selborne. He wrote a number of handbooks to places of interest, including Windsor and Hampton Court (see Bibliography).<ref>Template:Cite DNB</ref>
Hampton Court PalaceEdit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}}In 1832 the Office of Works and Public Buildings was subsumed into the Office of Woods, Forests and Land Revenues, and responsibility for the maintenance of unoccupied Royal palaces was passed to the reconstituted Office of Works in 1838. As Itinerant Deputy Surveyor with responsibility for the districts of Hampton Court and Windsor, Hampton Court Palace fell under Jesse's responsibility.Template:Sfn
The Palace was opened to the general public in December 1838,Template:Efn initially displaying works from the Royal Collection in the State Apartments, with only the interior courtyards, gardens and Apartments open for viewing. Previously, members of the public had been able to tour the palace in small groups conducted by the housekeeper, but the Great Hall had been inaccessible throughout.Template:EfnTemplate:Sfn The Hall had been cleared in the early 18th century by architect James Wyatt (on the orders of George III), removing the theatre fixtures and fittings installed by William III and George I, and adding a new door at the east end of the Hall through to the Great Watching Chamber.Template:Sfn
In July 1840 Jesse began a substantial restoration of the Great Hall for public display, his Romantic interpretation aiming to give "an appearance similar, perhaps, to that it formerly presented when it was occupied by the Cardinal of York and his princely retinue."Template:Sfn Jesse's restoration was influenced by the Gothic Revival of the mid-nineteenth century, and in particular the work of architects Jeffry Wyatville (who had remodelled Windsor Castle),Template:Sfn and Edward Blore, who had assisted Jesse with the Tudor restoration of the West Front of Hampton Court Palace.Template:EfnTemplate:Sfn Jesse was also influenced by the historical novels of Walter Scott, whose tales of romantic chivalry in medieval settingsTemplate:Efn were popular with the Victorian reading public; Jesse referenced Scott in several of his works.Template:Sfn
Jesse decorated the Great Hall with stag's heads between each window, banners displaying the "devices of Henry VIII and the arms of Wolsey", and a string course of Tudor roses and portcullises. Jesse commissioned a statue of St George slaying the Dragon,Template:Efn which was placed on "a richly-carved stone bracket, inscribed 'Seynt George for merrie Englande,'".Template:Sfn Tapestries depicting The Story of Abraham were moved from the State Apartments, where they had formed the backdrop to the growing population of paintings from the Royal Collection, to hang in the Great HallTemplate:Efn, Jesse noting each to be "of such excellent design, and of such costliness of material, that it may be safely asserted that its parallel does not exist in Europe at this time."Template:Sfn Collections of arms and armour were placed at either end of the Hall, specially-commissioned or loaned from the Tower of London collection.Template:Sfnm
Informed by research of the original building accounts,Template:Efn Jesse undertook a second phase of restorative works in 1844, which included the painting of the hammerbeam roof members in bright shades of white, vermillion, blue and green, and gilding the heraldic badges in gold.Template:EfnTemplate:Sfn
Thomas Willement stained glass commissionEdit
Jesse also commissioned stained glass artist Thomas Willement to chart the Tudor history of the Palace in a series of windows on all sides of the Hall and the Great Watching Chamber.Template:Sfn The west window, relating to Henry's wives and family, provides a full-length portrait of Henry VIII beneath a canopy of state and his arms, cyphers and badges. Alongside Henry are the arms, devices and mottoes of each his wives, and beneath him those of his children Edward VI, Queen Mary and Queen Elizabeth. The two small gable windows above show the arms of the Order of St John of Jerusalem (the original owners of the Manor of Hampton), Lord Thomas Docwra (who leased the Manor to Thomas Wolsey), the Archbishopric of York and Cardinal Wolsey. The east window is dedicated to Henry's lineage, showing Henry surrounded by the arms and badges of John Duke of Somerset, Margaret of Richmond, Henry VII, Elizabeth of York, Edward IV, Richard Duke of York, John Earl of Somerset, John Duke of Lancaster, Edmond Duke of York and Richard of Cambridge.
Williment also set out the line of descent of each of Henry VIII's wives in alternate windows on the north and south sides of the Hall.
Criticism and legacyEdit
Jesse's restoration of the Great Hall was the subject of both contemporary criticism (on the grounds of aesthetics and historical authenticity) and praise (for the vivid presentation of context, colour and armour).Template:Sfn Henry ColeTemplate:Efn wrote "[the] effect would have been far more satisfactory if the judgment of the decorator had been as good as his intention," yet despite the incongruous juxtaposition of disparate Tudor actors and symbolism in Willement's windows, "the restoration of the coloured glass ... is most welcome, and characteristic of old times."Template:Sfn Jesse's arrangement of the Great Hall continued to be presented until 1925,Template:Sfn and Willement's stained glass remains in place today.
Jesse's presentation of the Great Hall has since been described as "one of the great Romantic interiors of the mid-nineteenth century".Template:Sfn Jesse himself has been described as "both the first curator and the first interpreter of Hampton Court Palace,"Template:Sfn and "a forerunner to the HRPTemplate:Efn Conservation and Learning Department".Template:Sfn