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Framestore

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Framestore is a British visual effects and computer animation studio based on Chancery Lane in London, England.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The company was founded in 1986. Framestore specializes in visual effects for film and prestige TV, advertising, rides, and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne and Mumbai.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

HistoryEdit

FoundationEdit

Framestore was founded in 1986 by William Sargent and Sharon Reed, together with three friends.<ref>Template:Cite news</ref> Tim Webber joined Framestore in 1988 and led the company's push into digital film and television, developing Framestore's virtual camera and motion rig systems. In 1992, Mike Milne started the CGI department, adding computer-generated imagery animation to the company's range of facilities.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Merger with CFCEdit

In 1997, Framestore acquired the Computer Film Company, which was one of the UK's first digital film visual effects companies, developing technology for digital film scanning, compositing, and output. CFC was founded in London in 1984 by Mike Boudry, Wolfgang Lempp (now CTO at Filmlight) and Neil Harris (Lightworks). CFC's first film was The Fruit Machine, in 1988, which utilised early morphing techniques.<ref name=FRUIT>Rickitt, Richard (2000). Special Effects: The History and Technique. London: Virgin Publishing. Template:ISBN</ref>

In 2004, Framestore opened their first satellite office in New York City, to focus on advertising.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> This was followed by another office in Iceland in 2008, which has since been closed and has reopened as a local VFX company, RVX.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2013 Framestore opened an office in Montreal, followed by another in Los Angeles the same year.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2014, it launched a production arm.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Early projects for the company include the delivery of its first feature animation project The Tale of Despereaux with Universal;<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> the completion of Europe's first digital intermediate for the film Chicken Run in 2000;<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> contribution of scenes for the 2009 film Avatar,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the completion as a production project of four British feature films which opened in theaters between during 2009 and 2010.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Acquisition by CIHEdit

In November 2016, Framestore agreed to let the Shanghai-based Cultural Investment Holdings Co acquire 75% of it for £112.50 million.<ref name=GUARD>Template:Cite news</ref> The company worked on projects such as Fantastic Beasts and Where to Find Them, Beauty and the Beast, and Paddington 2.<ref name=CHINESE>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In April 2017, Framestore announced that they had opened a third US location, in Chicago, Illinois.<ref name=CHICAGO>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The company also worked on the 2017 film Darkest Hour directed by Joe Wright, working out of the Montreal facility of Framestore to create historically accurate backdrops for 85 shots in the film, including battle scenes.<ref name=DARKEST>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The team created around 300 shots for the 2017 film Blade Runner 2049, with Framestore winning a special visual effects award at the 2018 British Academy Film Awards.<ref name=AWARDS>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They have also worked on Black Mirror, creating props such as the 60s-style spaceship in the premiere of the fourth season.<ref name=BM>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In November 2020, Framestore announced that they have acquired Deluxe's former creative assets including Method Studios and Company 3 to expand their VFX and post-production landscapes.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

ReceptionEdit

Framestore has been awarded two Scientific and Technical Academy Awards, and 14 Primetime Emmys. In 2008, Framestore won their first Academy Award for Best Visual Effects for the film The Golden Compass; they also won the BAFTA Award for that film the same year. Framestore was also nominated for Academy Awards in 2009 (The Dark Knight)<ref>Template:Cite news</ref> and again in 2010 (Harry Potter and the Deathly Hallows – Part 1).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Tim Webber was the VFX supervisor on Gravity (2013), and the techniques involved in the film realised by Webber and the Framestore team took three years to complete.<ref name=STAND>"Tim Webber: the man who put Sandra Bullock in space" Template:Webarchive. Evening Standard. Retrieved 17 January 2014</ref> The team won the Best Visual Effects awards BAFTA Award for Best Special Visual Effects at the 67th British Academy Film Awards, and the Academy Award for Best Visual Effects award at the 86th Academy Awards.<ref name=SAM>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The company then won both the Academy Award <ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and BAFTA <ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> for Best Visual Effects in 2018 for its work on Blade Runner 2049.

In advertising the team has also won major awards including Cannes Lions, British Television Advertising Awards, Clios, D&AD and others.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The company's R&D team spin off to create the technology company Filmlight, which in 2010 received four Scientific Academy Awards.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Framestore won the 2020 BAFTA TV Craft Awards for Special, Visual & Graphic Effects for its extensive work on the HBO / BBC series His Dark Materials.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Advertising and trade charactersEdit

Framestore has collaborated with companies and advertising agencies to create trade characters, and also created an attempted photorealistic computer-generated Audrey Hepburn for a Galaxy chocolate advert.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> A combination of elements including body doubles, motion-capture, FACS and the rendering software Arnold were used to mimic the appearance of the actress 20 years after her death. The advert drew press attention both for the cutting-edge technology utilized and the ethical implications of using a person's likeness posthumously for commercial purposes.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Selected film and TV creditsEdit

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ReferencesEdit

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External linksEdit

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Template:Animation industry in the United Kingdom Template:Cinema of the United Kingdom Template:Authority control

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