My War

{{#invoke:other uses|otheruses}} Template:Good article Template:Use mdy dates {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |Template:Short description|noreplace}}}}{{#invoke:Infobox|infobox}}Template:Template other Template:Category handler Template:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=The First Four Years1983Family Man1984studioMy WarBlack Flag - My War cover.jpgBlack FlagMarch 1984December 1983Total Access Recording, Redondo Beach, CaliforniaTemplate:Hlist40:22SST (023)Template:Hlistx|2=</?t[drh][ >]|nomatch=}}|Template:Main other}}Template:Main other}}

My War is the second studio album by American band Black Flag. It was the first of three full-length albums the band released in 1984. The album polarized fans due to the LP's B-side, on which the band slowed down to a heavy, Black Sabbath-esque trudge after establishing expectations as a faster hardcore punk band on its first album, Damaged (1981).

After a period of legal troubles which prohibited the band from using its own name on recordings, Black Flag returned to the studio with a new approach to its music that incorporated a greater variety of styles, resulting in a sound orthodox punks found difficult to accept. The line-up had shrunk from five members to three: vocalist Henry Rollins, drummer Bill Stevenson, and co-founding guitarist Greg Ginn. Ginn doubled on bass guitar under the name "Dale Nixon" for the recording as bassist Chuck Dukowski left the band shortly before recording; the album includes two tracks Dukowski wrote.

The A-side of the LP is composed of six generally high-paced, thrashy hardcore tracks, featuring guitar solos unusual in punk music. On the B-side are three heavy tracks that each breach six-minutes with ponderously slow tempos and dark, unrelenting lyrics of self-hatred. The band members had grown their hair long when they toured the album in 1984, which along with the change in sound further alienated their hardcore skinhead fanbase. Despite mixed reception at the time of the album's release, My War has come to gain a reputation as one of Black Flag's seminal releases and had a major influence on the development of post-hardcore, sludge metal, grunge, and math rock.

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BackgroundEdit

In 1978, Black Flag guitarist and cofounder Greg Ginn converted his ham radio business Solid State Transmitters to SST Records to release the band's first EP Nervous Breakdown. Soon SST was releasing recordings by other bands as well, beginning with Minutemen's Paranoid Time in 1980.Template:Sfn

Black Flag recorded its first album Damaged in 1981 at Unicorn Studios and arranged a deal with the studio's record label Unicorn Records, which had distribution with MCA Records. MCA label president Al Bergamo halted the release after hearing the record, calling it "anti-parent"Template:Sfn—though SST co-owner Joe Carducci asserts this was a pretense for MCA to sever relations with the financially troubled Unicorn. The band obtained and distributed the already-pressed Template:Val copies of Damaged and adorned it with a label displaying Bergamo's "anti-parent" quote. Legal troubles erupted when SST claimed unpaid royalties from Unicorn and Unicorn successfully counter-sued, resulting in five days in jail for Ginn and co-founding bassist Chuck Dukowski and an injunction prohibiting the band from releasing material under its own name.Template:Sfn The double album Everything Went Black—a compilation of earlier, unreleased material—appeared from SST in 1982 without the band's name on it. Unicorn's bankruptcy in 1983 freed the band from the injunction.Template:Sfn

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Black Sabbath was a major influence on My WarTemplate:'s B-side.

Ginn had grown frustrated with the hardcore punk scene, and told the Los Angeles Times in early 1983: "[W]e've never been out to create this punk scene" they had been credited with spearheading; "We want people to listen to us as a band rather than as a stereotype ... A lot of what you call the punk scene is really backward, and it always has been."Template:Sfn Template:Sfn Following the release of Damaged, Black Flag absorbed a wider range of influences from the more experimental hardcore of Flipper, Void, and Fang.Template:Sfn They listened to little contemporary punk. Ginn was drawn to Ronnie James Dio's work in Black Sabbath and Dio, as well as earlier favorites from his pre-punk days, including Ted Nugent, Black Oak Arkansas, MC5, ZZ Top,Template:Sfn Deep Purple, Uriah Heep,Template:Sfn and others.Template:Sfn Music journalist Andrew Earles believes the band was influenced by the tiny but growing doom metal scene led by Saint Vitus (who released via SST).Template:Sfn Ginn jealously guarded the new material, fearing other bands would capitalize on the new approach,Template:Sfn and bemoaned that fans were unaware of how the band had progressed since they were unable to release recordings.Template:Sfn

The band toured extensively in North America and Europe to often hostile, violent hardcore punk crowds.Template:Sfn The disciplined group rehearsed obsessively, but there was little friendship between members: vocalist Henry Rollins was introverted and Ginn cold and demanding.Template:Sfn Dukowski felt that Rollins' vocal approach was better suited than that of the band's earlier three singers to the new material he was writing such as "I Love You" and "My War".Template:Sfn Dukowski, who also wrote poetry and fiction, encouraged Rollins to write as well, and Rollins found inspiration in Dukowski's bleak lyrical style.Template:Sfn

The band recorded a set of ten demo tracks at Total Access studios in 1982 for a planned follow-up to Damaged on which Chuck Biscuits replaced Damaged drummer Robo.Template:Sfn The rest of the lineup consisted of Ginn and former vocalist Dez Cadena on guitars, Rollins on vocals, and Dukowski on bass.Template:Sfn The band explored new sounds on these tracks, which tended to feature a riff-heavy heavy-metal edge and noisy, energetic free guitar soloing from Ginn. The album never materialized, and the heavily bootlegged demos have never been officially released; re-recordings of several of the tracks from the session were to feature on My War and other later albums. The line-up did not last long—frustrated with the band's legal troubles, Biscuits leftTemplate:Sfn in December 1982, replaced by Bill Stevenson,Template:Sfn and in 1983 Cadena left to form DC3.Template:Sfn Ginn had been frustrated with Dukowski's sense of rhythm, and in Germany during a European tour in 1983 gave Dukowski an ultimatum to quit, or Ginn himself would leave. Dukowski left the band, but stayed on to co-run SST.Template:Sfn

With Unicorn's demise in 1983, Black Flag was able to release the material they had written since 1981.Template:Sfn Eager to get back in the studio but still without a bassist, Ginn took on bass duties under the pseudonym "Dale Nixon" and practiced the new material with Stevenson up to eight hours a day, teaching the drummer to slow down and let the rhythm "ooze out" at a pace Stevenson was unused to;Template:Sfn the band called this approach the "socialist groove", as all beats were equally spaced.Template:Sfn With Spot as producerTemplate:Sfn and $200,000 in debt, Ginn, Rollins, and Stevenson headed to the studio to record My War.Template:Sfn

MusicEdit

The sides on the original LP divide the tracks into stylistic halves. The first half features six tracks that are in the same style that the band originated on their previous album Damaged and closes with a noisy freak-out, "The Swinging Man".Template:Sfn Dukowski penned the opening title track. Ginn's "Can't Decide" follows, a gloomy ode to frustration: "I conceal my feelings / So I don't have to explain / What I can't explain anyway". "Beat My Head Against the Wall" rails at conformity and the band's experience with a major label: "Swimming in the mainstream / Is such a lame, lame dream".Template:Sfn Dukowski's "I Love You" parodies pop ballads with lyrics of violence and dysfunction in a relationship gone wrong. Ginn and Rollins share credit on the metallic "Forever Time" and the noisy "Swinging Man".Template:Sfn

The second side's three tracks each clock in at over six minutes.Template:Sfn Reviewers have described them as an early cross-pollination between punk and metal,Template:Sfn<ref name=Rogers2020>Template:Cite journal</ref> a plodding Black Sabbath-esque sludge metal, or proto-noise rock style, depending on how they are viewed.Template:Sfn On "Three Nights", Rollins compares himself to feces stuck to his shoe: "And I've been grinding that stink into the dirt / For a long time now".Template:Sfn Against a slow, heavy, start-and-stop bass riff and a constant drum thudding,Template:Sfn Rollins closes "Scream" with a bellow after delivering the Ginn-penned lines: "I may be a big baby / But I'll scream in your ear / 'Til I find out / Just what it is I am doing here".Template:Sfn The closing track of Damaged, "Damaged I", presaged this dark, heavier style, and a slower pace that brings the track length to nearly four minutes, the longest on the album.Template:Sfn

Reception and legacyEdit

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... within the hardcore scene, side two of My War was as heretical as Bob Dylan playing electric guitar on one side of Bringing It All Back Home.Template:Sfn Template:Sfn
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One of the pioneer early hardcore bands, Black Flag, became one of the early leading post-hardcore bands by utilising slower tempos, odd time signatures (3/8, 5/4, 7/4), abrupt tempo and structural changes, dissonant riffs that border on 12-tone music ... and guitarist Greg Ginn's atonal, free-form solos.Template:Sfn
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My War was the first of four Black Flag releases in 1984, a year that also saw Family Man, Slip It In, and Live '84 appear from SST.Template:Sfn It is considered to be one of the first post-hardcore albums along with Hüsker Dü's Zen Arcade and Minutemen's Double Nickels on the Dime in the same year.Template:Sfn

The album reached no. 5 on the UK Indie Charts. Black Flag toured the My War material from March 1984, with the Nig-Heist and Meat Puppets as opening acts.Template:Sfn It had been a year since the band had toured, and Rollins, Ginn, and Stevenson had grown out their hair; punks associated long hair with the hippies and metalheads they loathed and found it dissonant with Rollins' accepted image as a hardcore skinhead.Template:Sfn

My War polarized Black Flag fans; it alienated those who wanted the band to stay true to its simple hardcore rootsTemplate:Sfn and who were put off by the length of the songs, the riff-heaviness, and the solos—elements widely thought of as un-punk.Template:Sfn

Critics dissatisfied with the band's direction compared it to heavy metal, though contemporary metal bands with such a sound were rare, and the band rejected the classification. The ideology of many fans and critics demanded that hardcore punk bands remain true to the genre's roots, with short, fast songs, typically lacking solos. My War thus came across as a betrayal of those roots, and critics associated the differences with metal, a genre the hardcore punk community despised.Template:Sfn Examples include Tim Yohannon disparaging the album in Maximumrocknroll as "like Black Flag doing an imitation of Iron Maiden imitating Black Flag on a bad day",Template:Sfn Template:Sfn and Howard Hampton at the Boston Phoenix deriding it for "resorting to standard Template:Interp machinations".Template:Sfn Rollins countered critics, stating, "Take the 'metal' out of 'heavy metal' and that's what we are—it's just heavy ... Heavy metal is a defined form. Black Flag is not a defined form."Template:Sfn Ginn had long criticized the hardcore punk scene's narrowmindedness, and following Black Flag's breakup in 1986,Template:Sfn and in reaction to criticism of Black Flag's later output following its breakup in 1986, Ginn derided the underground scene as "really conservative", whose audience "demands something familiar".Template:Sfn Template:Sfn

The muffled sound of the album's production has attracted criticism; Stevie Chick disparaged the lack of character in Ginn's bass-playing on "My War" when compared to the 1982 demo of the same song with Dukowski on bass.Template:Sfn Michael Azerrad praised the strength of the material while denigrating the "frustrating lack of ensemble feel" as the album was recorded without a full lineup.Template:Sfn Critic Clay Jarvis commended the album, emphasizing the risks taken on it and its influence, calling it "more a test than an album", and saying, "independent music is stronger because Black Flag formulated it". Template:Sfn John Dougan at AllMusic called the A-side of the album "quite good", but described the B-side as "self-indulgence masquerading as inspiration and about as much fun as wading through a tar pit".Template:Sfn Robert Christgau considered the B-side a "waste".Template:Sfn Howard Hampton found it "unbearably boring",Template:Sfn and Tim Yohannon called the B-side "sheer torture".Template:Sfn Eric Weisbard opines that the album opens strongly but quickly descends into "slow metal or midtempo whinnying guitars, loungecore with Henry as Bill Murray."<ref name="Weisbard" />

The album had a great influence on the "hardcore-meets-Sabbath" sounds of Mudhoney, Melvins, and Nirvana.Template:Sfn The first punk concert Nirvana frontman Kurt Cobain attended was a Black Flag show during the My War tour,Template:Sfn and he listed My War on his list of top fifty albums.Template:Sfn Mark Arm of Mudhoney related he was moved to tears at a Black Flag concert in 1983 when he was first exposed to "Nothing Left Inside", and the experience inspired him to seek out bands like Black Sabbath.Template:Sfn Mudhoney guitarist Steve Turner has said of the album's impact on grunge, "I swear, that record instantly made the Melvins slow down to a crawl. Because The Melvins when they started, they were a fairly tight hardcore band and My War came out and they suddenly slowed down. And I know it was a huge influence on us as well. Even in the Green River days."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>