Steven Erikson

Template:Short description Template:About Template:Infobox writer Steve Rune Lundin (born October 7, 1959), known by his pseudonym Steven Erikson, is a Canadian novelist who was educated and trained as both an archaeologist and anthropologist.

He is best known for his ten-volume spanning epic fantasy series Malazan Book of the Fallen, which began with the publication of Gardens of the Moon (1999) and was completed with the publication of The Crippled God (2011). By 2012 over 1 million copies of the series had been sold worldwide,Template:Sfn and over 3 million copies by 2018. SF Site has called the series "the most significant work of epic fantasy since Donaldson's Chronicles of Thomas Covenant,"<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Fantasy Book Review described it as "the best fantasy series of recent times."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Fellow author Glen Cook has called the series a masterwork, while Stephen R. Donaldson has praised him for his approach to the fantasy genre.

Set in the Malazan world, Erikson has commenced a prequel trilogy, The Kharkanas Trilogy, seven novellas, and a short story. He is currently working on a four-part sequel series, The Tales of Witness, the first book of which, titled The God is Not Willing, was published in 2021.

His foray into science fiction has produced a comedic trilogy, the Willful Child Trilogy, a spoof on Star Trek and other tropes common in the genre, and a First Contact novel titled Rejoice, a Knife To the Heart, published in 2018.

Life and careerEdit

Steven Rune Lundin was born in Toronto, Ontario, and grew up in Winnipeg, Manitoba.<ref name=locus-2020>Template:Cite magazine</ref><ref name="FBR_bio">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He subsequently lived in the UK with his wife and son, but has since returned to Canada.<ref name="FBR_bio" /> He is an anthropologist and archaeologist by training and is a graduate of the Iowa Writers' Workshop.<ref name="meetse">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> For his thesis at the Iowa Writers' Workshop, Erikson wrote a "story cycle" of short stories titled A Ruin of Feathers about an archaeologist in Central America. Subsequently, he received a grant to finish the work which was published by TSAR, a small Canadian publishing house. For his next work he co-won the Anvil Press International 3-Day Novel Contest for which he signed away the rights, a mistake he attributes to inexperience. Erikson's third book was also published by TSAR, and consisted of a novella and short stories titled Revolvo and other Canadian Tales. Later, upon moving to England, he sold what he refers to as his "first real novel" to Hodder and Stoughton — This River Awakens — written when he still lived in Winnipeg. Before assuming the pseudonym Erikson (as an homage to his mother's maiden name),<ref name=locus-2020/> he published his first four books, out of print Template:As of, under his real name.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Cbignore</ref><ref name="Vandemeer">Template:Cite magazine</ref> In addition to writing, he paints using oil paints.<ref name="Vandemeer"/>

ThemesEdit

Erikson has stated that apart from examining the "human condition", all his literary work share "compassion" as a theme, or main driving force.<ref name="FHive">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Furthermore, when envisioning the Malazan world, both he and his collaborator Ian Cameron Esslemont agreed to create societies and cultures that never knew sexism and gender based hierarchies of power.<ref name="Lunna">Template:Cite episode</ref>

Other themes include social inequality, egalitarianism, death, life, history, and historical accuracy.<ref name="Tor15">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="TQ">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Spec">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Tor0">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Med">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

StyleEdit

Erikson has stated explicitly that he enjoys playing with and overturning the conventions of fantasy, presenting characters that violate the stereotypes associated with their roles. They embody the multidimensional characteristics found in human beings, making them more realistic and giving the story more depth, which is why his books are anything but predictable. He deliberately began Gardens of the Moon mid-plot rather than beginning with a more conventional narrative.<ref name="sffw-interview">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=spot1>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The writer's style of writing includes complex plots with masses of characters. In addition, he has been praised for his willingness to kill central characters when it enhances the plot.<ref name="FBR_bio"/>

ReceptionEdit

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The first novel of the Malazan Book of the Fallen series, Gardens of the Moon (1999), was well received. It was short-listed for a World Fantasy Award.<ref name="transworld">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It has also earned Erikson the reputation as one of the best authors in the fantasy genre,<ref name="transworld"/> and was described as "An astounding début".<ref name="twbooks" >{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The novel was acclaimed for its "combination of originality and intelligent, strong and exciting storytelling".<ref name="transworld" /> The second book in the series, Deadhouse Gates (2000), was voted one of the ten best fantasy novels of 2000 by SF Site.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Fellow author Glen Cook has called the series a masterwork of the imagination that may be the high water mark of the epic fantasy genre. In his treatise written for The New York Review of Science Fiction, fellow author Stephen R. Donaldson has also praised Erikson for his approach to the fantasy genre, the subversion of classical tropes, the complex characterizations, the social commentary — pointing explicitly to parallels between the fictional Letheras Economy and the US Economy — and has referred to him as "an extraordinary writer", comparing him to the likes of Joseph Conrad, Henry James, William Faulkner, and Fyodor Dostoevsky.<ref name="twbooks"/><ref name=Author1>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=Author2>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=Author3>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

InfluencesEdit

Erikson attributes pen and paper Role-Playing games, specifically AD&D and GURPS, as being the biggest influence in his writing career, and even calls it the fundament of the Malazan Empire, from his Malazan Book of the Fallen series, is based on. Stephen R. Donaldson's The Chronicles of Thomas Covenant and Glen Cook's The Black Company, both ushering post-Tolkien style of writing, are some of the works that have influenced his storytelling. He also credits the works of Robert E. Howard, Edgar Rice Burroughs, Homer, Arthur C. Clarke, Roger Zelazny, John Gardner, Gustav Hasford, Mark Helprin and Robin Hobb as influences on the Malazan works.<ref name="Erikson">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="FBR_bio"/>