The Immaculate Collection

Template:Good article Template:Short description Template:For Template:Use mdy dates {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |Template:Short description|noreplace}}}}{{#invoke:Infobox|infobox}}Template:Template other Template:Category handler Template:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=I'm Breathless1990Erotica1992greatestThe Immaculate CollectionMadonna - The Immaculate Collection.pngyesMadonnaNovember 13, 19901983–1990Pop73:32*Sire

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The Immaculate Collection is the first greatest hits album by American singer Madonna, released on November 13, 1990, by Sire Records. It contains fifteen of her hit singles recorded throughout the 1980s, as well as two brand new tracks, "Justify My Love" and "Rescue Me". All the previously released material were reworked through the QSound audio technology, becoming the first ever album to use it. Meanwhile, the new material saw Madonna working with Lenny Kravitz and Shep Pettibone. The album's title is a pun on the Immaculate Conception, a Marian dogma of the Catholic Church.

The release of the album was accompanied by a same-titled home video release, an EP titled The Holiday Collection, and a box set titled The Royal Box. "Justify My Love" was released as the lead single from the album, with a controversial music video featuring overtly sexual imagery. After being banned by MTV, the video was released on VHS and became the best-selling video single of all time. It also became Madonna's ninth number-one single on the US Billboard Hot 100 chart. The second single, "Rescue Me", had the highest debut on the chart since the Beatles' "Let It Be" (1970) and peaked at number nine.

The Immaculate Collection received universal acclaim from critics, who deemed it a defining retrospective of 1980s music. The album reached number two on the US Billboard 200 chart, while topping the charts in Argentina, Australia, Canada, Finland, Ireland, and the United Kingdom. Earning elevenfold platinum from the Recording Industry Association of America (RIAA), it became Madonna's second diamond-certified album in the United States. The Immaculate Collection has sold over 30 million copies worldwide, making it the best-selling compilation album by a solo artist ever and one of the best-selling albums of all time. It has been featured on all-time critic lists by several publications, including Blender which named it the greatest American album of all time.

Background and developmentEdit

File:Lenny Kravitz - Rock in Rio Madrid 2012 - 43 (cropped).jpg

Lenny Kravitz co-wrote and produced "Justify My Love", one of two new songs recorded for The Immaculate Collection.

By the end of the 1980s, Madonna had become the biggest female singles artist in history, with the most number-one and top-ten hit songs by a woman in both the United States and the United Kingdom.<ref>Template:Harvnb</ref><ref>Template:Cite magazine</ref> J. Randy Taraborrelli, author of Madonna: An Intimate Biography, noted that a Madonna's greatest hits album was ready by that point, serving as "a proud landmark" of her career which had progressed upwards since she entered the music scene in 1982.<ref name="tara">Template:Harvnb</ref> Following the completion of the 1990 Blond Ambition World Tour, Madonna began preparing the project aimed to be released in time for the year's Christmas season.<ref>Template:Harvnb</ref> On October 13, 1990, Billboard magazine confirmed that Madonna had been working on new material for the album with Shep Pettibone and Lenny Kravitz.<ref>Template:Cite magazine</ref>

The Immaculate Collection contains fifteen previously released Madonna singles in chronological order, from "Holiday" (1983) to "Vogue" (1990). All of them were reworked using QSound by Pettibone, alongside Goh Hotoda and Michael Hutchinson within a month and a half.<ref>Template:Cite news</ref> It became the first album to use QSound, which then was a new technology that gives recordings three-dimensional sound on standard stereo systems.<ref>Template:Cite magazine</ref> Tracks have been edited down from their original lengths to decrease the overall running time.<ref name="liner" /> Minor alterations and additions have been applied to every track; for example, "Material Girl" has a new outro in place of the original fade-out. Pettibone also remixed "Into the Groove", "Like a Prayer", and "Express Yourself", featuring different music productions from their original album versions.<ref name="bbinterview">Template:Cite magazine</ref> Pettibone later commented:

Well, actually some of the songs we changed up a bit, but most of the songs we kept in their original form. Like "Holiday", "Lucky Star", et cetera, et cetera, those were all the original productions. The remix was just really to create the QSound, and make the song kind of envelop you when you listened to it in a certain sweet spot in front of the speakers [...] That wasn't easy to do. But then again, that was one of those—you know, "Hurry up, this has to be out last week". That was a rush rush job.<ref name="bbinterview" />

Two new songs, "Justify My Love" and "Rescue Me", were included on the album in order to generate public interest.<ref>Template:Harvnb</ref> "Justify My Love" is a trip hop song, featuring Madonna's spoken word vocals over a "grinding, sparse" hip hop groove.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> It was first written as a love letter by Ingrid Chavez, who was having an affair with Kravitz at the time. He invited her over a studio to record the letter and later took a master copy of the song to Virgin Records after the end of their relationship.<ref name=obrien214>Template:Harvnb</ref> Months later, Kravitz told Chavez that the song would be released by Madonna and he asked her to sign a document saying that Chavez would receive 12.5% publishing royalties, but no writing credit. She signed the paper, and was then invited to meet Madonna in the studio while they mixed the track.<ref name=obrien214 /> However, Chavez later sued Kravitz in 1992 and reached an out-of-court settlement whereby she received a co-writing credit.<ref>Template:Cite news</ref> The second new song, "Rescue Me", is a dance-pop and gospel-house track written and produced by Madonna and Pettibone.<ref>Template:Cite magazine</ref> Lyrically, "Rescue Me" expresses the extinguishing of deranged behavior in a relationship and features spoken word verses, like on "Justify My Love".<ref>Template:Harvnb</ref>

Packaging, release, and promotionEdit

File:The Immaculate Collection.jpg

One of vinyl pressings of The Immaculate Collection

The album was packaged in a gatefold sleeve which did not feature Madonna's image on the cover. Instead, a short haired, brunette Madonna was featured on the two inner sleeves along with lyrics for the two previously unreleased tracks.<ref name="liner" /> Photographer Herb Ritts shot the booklet's black-and-white images, which previously appeared in the June 1990 issue of Interview magazine.<ref>Template:Cite magazine</ref> Madonna continued referencing Catholicism on The Immaculate Collection, dedicating the album to "The Pope, my divine inspiration" on its booklet. This led to many believing it was dedicated to Pope John Paul II, but it was actually dedicated to her brother, Christopher Ciccone, who had spent the year on tour with Madonna on the Blond Ambition World Tour and whose nickname is "The Pope".<ref>Template:Harvnb</ref> The album's title is a pun on the Immaculate Conception, a conception of the Virgin Mary without the stain of original sin.<ref name="tara" /> In The Everything Mary Book (2006), editors explained "the album's colors of blue and gold resonate with some of the colors used in the traditional images of Virgin Mary".<ref>Template:Cite book</ref> The album was originally titled Ultra Madonna, but the plan was changed as it was too similar to the name of Ultra Naté, a then-new artist in Warner Bros.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> However, it was marketed in Japan with the title Ultra Madonna: Greatest Hits.<ref name="oricon" />

The Immaculate Collection was released in the United States on November 13, 1990, by Sire Records.<ref>Template:Cite magazine</ref> A same-titled home video was also released, containing 13 music videos, including the live performance of "Vogue" at the 1990 MTV Video Music Awards.<ref>Template:Cite magazine</ref> A box set titled The Royal Box was issued on December 4, 1990, containing the album, VHS, a poster, and postcards.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> An extended play (EP) titled The Holiday Collection was also released in Europe with the same design as The Immaculate Collection. The full-length album version of "Holiday" was included on the EP, alongside three worldwide chart hits omitted from the album: "True Blue", "Who's That Girl", and "Causing a Commotion".<ref>Template:Harvnb</ref> In 1993, a "limited edition" of The Immaculate Collection was released in Australia to commemorate Madonna's visit to the country with the Girlie Show tour.<ref>Template:Cite AV media notes</ref> A Dolby Atmos mix of The Immaculate Collection was released in May 2023 via Apple Music.<ref name="atmos">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

"Justify My Love" was released as the album's lead single on November 6, 1990. It became her ninth number one on the Billboard Hot 100 and the top ten in many other countries.<ref name="21topten" /><ref>Template:Cite magazine</ref> The black-and-white music video caused controversy for its sexually explicit imagery and was banned by MTV.<ref name=rebel>Template:Cite magazine</ref> Due to this prohibition, the music video was commercially released as a video single, and become the highest-selling in this format of all time.<ref>Template:Cite magazine</ref> Liz Smith from Sarasota Herald-Tribune commented that the headlines and gossip would only hype more interest in the album.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Prior to its release as a single, "Rescue Me" started receiving airplay on radio as an album cut.<ref>Template:Cite magazine</ref> "Rescue Me" entered the Billboard Hot 100 chart at number fifteen—thus becoming the highest-debuting single since the Beatles' "Let It Be" (1970)—and eventually peaked at number nine.<ref name="21topten" /> The single also reached number three on the European Hot 100 Singles chart.<ref>Template:Cite magazine</ref>

"Crazy for You" was re-released as a single in the UK, and later peaked at number two on the UK Singles Chart.<ref name="ukchart" /> "Holiday" was also re-released as a UK-only single on May 27, 1991, and peaked at number five on the chart.<ref name="ukchart">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Critical receptionEdit

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The Immaculate Collection received universal acclaim from music critics.<ref name="bego327" /> AllMusic senior editor Stephen Thomas Erlewine wrote that the album "remains a necessary purchase, because it captures everything Madonna is about and it proves that she was one of the finest singles artists of the '80s." However, he felt that "while all the hits are present, they're simply not in their correct versions" due to the QSound remastering and significant changes in several songs.<ref name=allmusic /> Billboard commented that the album was "irresistible holiday buying fare", and praised the QSound process for adding "unheard detail and depth to the recordings".<ref>Template:Cite magazine</ref> David Browne from Entertainment Weekly opined that the album was "as relentless as the woman herself", and "refocuses our attention on how brilliant her records have been over the years—and gives us a peek into the obstacles she might face as her career enters the '90s."<ref>Template:Cite magazine</ref> Jim Farber of the same magazine stated: "More than a mere greatest-hits set, it's hands down the catchiest collection of '80s singles."<ref name="ew" /> Peter Buckley, author of the book The Rough Guide to Rock, wrote that the album "stakes Madonna's claim to be the best singles act of the 80s."<ref>Template:Cite book</ref>

Rolling Stone called the album the "standard bearer for Madonna compilations", summing up the first stage of Madonna's career "flawlessly" with an addition of "worthy sensual" new tracks.<ref name=rs /> In a review for Music & Media, Pieter de Bruyn Kops complimented the album's new material as "brilliant" and said that "Madonna proves again she is the ruling Queen of Pop."<ref>Template:Cite magazine</ref> Danny Eccleston from Q magazine said the album's "ambitious title" was justified by "magnificent content: 17-track best of enhanced by the hard-faced sexiness of Lenny Kravitz-aided Justify My Love (and Rescue Me)."<ref name="q" /> Robert Christgau called it "the greatest album of [Madonna's] mortal life" featuring "seventeen hits, more than half of them indelible classics."<ref name="Christgau" /> Writing for Stereogum, Tom Breihan commented the compilation "is even more impressive when you think about what didn't make it onto the album."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Ross Bennett from Mojo called the album "truly the best of best of's" and stated: "This has to be right up there with ABBA Gold as a collection of singles so deeply ingrained in the collective consciousness [...] But there is no denying the pop nous behind Ms Ciccone's first 15 years of hits, here brilliantly packaged in, gasp, chronological order."<ref name="mojo">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

J.D. Considine from The Baltimore Sun considered it "no mere greatest hits" and commented, "Immaculate? Impeccable is more like it."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Lucy O'Brien in her book Madonna: Like an Icon deemed the album a "seamless marriage of high-octane pop and dance", as well as "the ultimate party record".<ref>Template:Harvnb</ref> SelectTemplate:'s Andrew Harrison wrote: "Given that she's had the good grace to leave out second-raters [...] it's hard to fault this wonderful collection. You might find better music this Christmas but you'll never hear better pop."<ref name="select" /> Kevork Djansezian of Tulsa World commented that "if the controversy, the outrage, the boycotts, and the sexual revolution it created don't spark your interest, at least you can have a great time dancing and lip-synching to its acclaimed and definitely catchy pop tracks."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Douglas Wolk from Pitchfork stated that the album is "the kind of perfect straight-into-orbit retrospective pop artists dream of achieving."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Commercial performanceEdit

File:WIKI KENNY ROGERS.jpg

The Immaculate Collection was the highest-charting greatest hits album on the Billboard 200 in a decade since Greatest Hits (1980) by Kenny Rogers.

The Immaculate Collection has sold over 30 million copies worldwide,<ref name="wwsales">Template:Cite news</ref><ref>Template:Cite news</ref> making it the best-selling compilation album ever by a solo artist and one of the world's best-selling albums of all time.<ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In Madonna's home country, the album entered the Billboard 200 chart at number 32 on the week of December 1, 1990.<ref>Template:Cite magazine</ref> It jumped to number two on January 26, 1991,<ref>Template:Cite magazine</ref> being blocked from the top spot for two weeks by Vanilla Ice's To the Extreme.<ref name="21topten">Template:Cite magazine</ref> Nevertheless, it became the highest-charting greatest hits album in a decade since Kenny Rogers's Greatest Hits (1980).<ref>Template:Cite magazine</ref> After Billboard overturned the rule preventing older albums to chart on the Billboard 200 in November 2009,<ref>Template:Cite magazine</ref> The Immaculate Collection has made multiple re-entries on the chart, with the latest being its 148th week on September 10, 2016.<ref>Template:Cite magazine</ref> The album also spent 290 weeks on the Catalog Albums chart, with a peak of number six.<ref name="catalog" /> The Immaculate Collection became Madonna's second album, after Like a Virgin (1984), to receive diamond award from the Recording Industry Association of America (RIAA) and was later certified eleven-time platinum denoting 11 million album-equivalent units.<ref name="riaa" /> After the advent of the Nielsen SoundScan, the album has sold over 5,992,000 copies as of 2016.<ref>Template:Cite magazine</ref> In early 2025, the album debuted and peaked at number eight on the Top Dance Albums chart, making it her sixth top ten entry and ninth overall. This makes Madonna the only artist to have one album from five and consecutive decades enter the top 10.<ref>https://www.billboard.com/artist/madonna/chart-history/elp/</ref><ref>https://www.forbes.com/sites/hughmcintyre/2025/03/06/madonnas-beloved-album-returns-to-its-all-time-high/</ref>

In Canada, The Immaculate Collection topped the RPM albums chart for six consecutive weeks.<ref>Template:Cite magazine</ref> It earned seven-time platinum certification from the Music Canada (MC) for shipments of 700,000 copies.<ref name="mc" /> It became one of the all-time best-selling albums in Latin American countries such as Mexico and Brazil, with sales of over 800,000 and 500,000 copies, respectively.<ref name="mexico" /><ref name="pmb" /> In Australia, the album debuted at number one on the albums chart, remaining at the top for five weeks and the top 50 for 95 weeks.<ref name="aus" /> It received twelve-time platinum certification from the Australian Recording Industry Association (ARIA) and has sold over 880,000 copies as of January 2013,<ref name="aussales" /> making it one of the best-selling albums in Australia. In Japan, The Immaculate Collection charted for 26 weeks on the Oricon Albums Chart, with a peak of number five.<ref name="oricon" /> The Recording Industry Association of Japan (RIAJ) certified it quadruple platinum for shipment of 800,000 copies.<ref name="riaj" />

The Immaculate Collection debuted atop the UK Albums Chart on November 24, 1990. Madonna became the first female artist to achieve four number-one albums and the first female to have a Christmas number-one album in the United Kingdom.<ref>Template:Cite magazine</ref> Occupying the top position for nine weeks, the album broke the record for the longest consecutive weeks at number one by a female artist, a feat that would not be matched for 20 years until the release of Adele's album 21 (2011).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It became the seventh best-selling album of the decade with 2.5 million copies.<ref>Template:Cite news</ref> The Immaculate Collection was certified thirteen-time platinum by the British Phonographic Industry (BPI).<ref name="bpi" /> It remains the best-selling solo compilation album in British music history, with sales of 3.77 million as of June 2019.<ref name="GH2-Music-UK">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In France, the album reached number four on the chart and was certified diamond by the Syndicat National de l'Édition Phonographique (SNEP).<ref name="snep" /> The sales of the album stand at 1.1 million copies there.<ref name="frasales" /> The Immaculate Collection peaked at number 10 in Germany and was certified triple gold by the Bundesverband Musikindustrie (BVMI), denoting 750,000 units shipped.<ref name="ger" /><ref name="bvmi" /> Across Europe, the album reached number one in Finland and Ireland, while peaking at number three on the pancontinental European Top 100 Albums chart.<ref name="euro" />

LegacyEdit

Nick C Levine from Dazed magazine stated that The Immaculate Collection cemented Madonna's iconic status and "distilled her early career into one era-defining pop single after another."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> According to Stephen Thomas Erlewine of AllMusic, the album "captured the time when Madonna was the defining figure of American pop culture."<ref>Template:Cite news</ref> Mike Wass from Idolator described the album as "a time capsule of the 1980s... [showing] the Queen of Pop's progression from bubblegum-pop diva to the risk-taking, rule-breaking icon she went on to become in the 1990s."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> James Rose from Daily Review retrospectively described The Immaculate Collection as "a story of women and pop music in the decade leading to 1990... pop music history, in itself a living timeline of an era."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Writing for The Guardian, Lucy O'Brien recommended The Immaculate Collection for listeners who want to discover Madonna's back catalog since her 1980s hits "are brilliantly captured" on the album.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The album has been featured on a number of all-time lists by music critics. The New York Times dubbed The Immaculate Collection as one of the definitive album releases of the century.<ref name="bego327">Template:Harvnb</ref> Rockdelux also named it one of the greatest albums of the 20th century.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2003, the album was ranked number 278 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time".<ref>Template:Cite magazine</ref> The latest update of the Rolling Stone list was published in September 2020, showing the album rising to number 138.<ref>Template:Cite magazine</ref> Blender magazine placed the album at number one on their "100 Greatest American Albums of All Time" list, explaining:<ref name="blenderbest">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Just as Bob Dylan's insurgent braininess embodied the boundary-stretching '60s, Madonna epitomized the '80s, from the coy consumerism of "Material Girl" to the stylish hedonism of "Vogue". She was a change-agent of Hollywood-blockbuster proportions, embodying womanhood's power while simultaneously upending musty notions of femininity... And, since this is above all expertly built, wonderfully sung music, the songcraft lets listeners ignore all of the above and just dance. [E]ach listen shows that Madonna's unerring musical instincts—let's go ahead and call it genius—were as formidable as her more famous ambition.

Other retrospective assessments specifically praised the album as a greatest hits collection. Drew Mackie of People, called the album "the best-named greatest hits compilation ever" and "easily one of the best greatest hits albums ever."<ref name="Mackie">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2022, it was included in the Rolling Stone Italia list of the 10 greatest hits albums that "made history".<ref>Template:Cite magazine</ref> NME ranked it as the second-best greatest hits album of all time, claiming that "In her pomp, Madonna was the best pop star of her time."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Selena Dieringer from Houston Press listed The Immaculate Collection among the "ten really fantastic Greatest Hits albums".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Classic Pop named it the best compilation album of all time.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The Daily Telegraph ranked it as Madonna's best album, calling it "a phenomenal collection".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was also included in OutTemplate:'s The 100 Greatest, Gayest Albums of All Time, addressing the influence of records for the gay community, with staff calling it "the definitive document of her stratospherically successful first decade".<ref>Template:Cite magazine</ref> Queerty editors selected The Immaculate Collection among 20 most important albums to shape LGBTQ culture, calling it "a must for any gold star gay's record collection."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The Immaculate Collection also influenced the development of subsequent Madonna greatest hits albums. GHV2 (2001), an abbreviation of Greatest Hits Volume 2, was marketed as a follow-up to The Immaculate Collection, comprising Madonna's hits from 1992 to 2001.<ref name="bbtracklist">Template:Cite magazine</ref> The two-disc edition of Celebration (2009) includes every track from The Immaculate Collection, except "Rescue Me".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Track listingEdit

Template:Track listing

Notes

Digital and Dolby Atmos releases of the album use the "New Mix" version of "Lucky Star" (7:15), and the album version of "Borderline" (5:17).<ref>{{#invoke:citation/CS1|citation

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PersonnelEdit

Personnel credits adapted from the liner notes of The Immaculate Collection.<ref name="liner">Template:Cite AV media notes</ref> Template:Div col

Madonna – vocals, background vocals
Lenny Kravitz – background vocals
Dian Sorel – background vocals
Catherine Russell – background vocals
Lillias White – background vocals
Henry Hirsch – recording
David Domanich – recording
Andy Cardenas – recording
Josh Cuervokas – recording
P. Dennis Mitchell – recording engineer
Curt Frasca – assistant engineer
Lolly Grodner – assistant engineer
John Partham – assistant engineer
Peter Schwartz – keyboards, programming
Joe Moskowitz – additional programming
Rob Mounsey – arranger
Shep Pettibone – mixing, album coordinator
Goh Hotoda – mixing
Michael Hutchinson – mixing
Ted Jensen – mastering
Jane Brinton – album coordinator
Freddy DeMann – management
Herb Ritts – photography
Jeri Heiden – art direction, design
John Heiden – design
Andre Guedes – digital booklet
Gene Sculatti – liner notes
Mike Dean – mixing (2023 Dolby Atmos mix)<ref name="atmos" />

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ChartsEdit

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Weekly chartsEdit

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Weekly chart peaks of *The Immaculate Collection* during 1990–1991
Chart (1990–1991)	Peak position
Argentine Albums (CAPIF)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	1
Canadian Albums (The Record)<ref>Template:Cite magazine</ref>	1
European Albums (Music & Media)<ref name="euro">Template:Cite magazine</ref>	3
Finnish Albums (Suomen virallinen lista)<ref>Template:Cite book</ref>	1
French Albums (SNEP)<ref name="fra">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	4
Greek Albums (IFPI)<ref name="eurocharts1990">Template:Cite magazine</ref>	5
Icelandic Albums (Tónlist)<ref name="Iceland">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	6
Irish Albums (IFPI)<ref name="musicmedia19901208">Template:Cite magazine</ref>	1
Italian Albums (Musica e dischi)<ref>Template:Cite magazine</ref>	10
Japanese Albums (Oricon)<ref name="oricon">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	5
Portuguese Albums (AFP)<ref name="Music and Media">Template:Cite magazine</ref>	6
South African Albums (RISA)<ref name="South African">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	23
Spanish Albums (PROMUSICAE)<ref name=autogenerated1>Template:Cite book</ref>	5

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Weekly chart peaks of *The Immaculate Collection* since 2000
Chart (2000–2025)	Peak position
Croatian International Albums (HDU)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	16
Danish Albums (Hitlisten)<ref name="denmark" />	4
Irish Albums (IRMA)<ref name="irma">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	2
Italian Albums (FIMI)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	52
Mexican Albums (AMPROFON)<ref name="amprofon">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	65

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Monthly chartsEdit

Monthly chart peaks of *The Immaculate Collection*
Chart (2008)	Peak position
Argentine Albums (CAPIF)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	9

Year-end chartsEdit

Year-end chart positions of *The Immaculate Collection*
Year	Chart	Position
1990	Australian Albums (ARIA)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	5
	Canada Top Albums/CDs (RPM)<ref name="rpm1990">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	40
	Dutch Albums (Album Top 100)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	51
	UK Albums (OCC)<ref name="UKYE">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	1
1991	Australian Albums (ARIA)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	8
	Canada Top Albums/CDs (RPM)<ref name="rpm1991">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	9
	Dutch Albums (Album Top 100)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	21
	European Albums (Music & Media)<ref>Template:Cite magazine</ref>	9
	German Albums (Offizielle Top 100)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	48
	Japanese Albums (Oricon)<ref>Template:Cite book</ref>	48
	New Zealand Albums (RMNZ)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	30
	Swiss Albums (Schweizer Hitparade)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	30
	UK Albums (OCC)<ref name="UKYE" />	8
	US Billboard 200<ref name="bb200yearend">Template:Cite magazine</ref>	8
	US Cash Box Albums<ref name="Cashbox91">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	15
1992	Australian Albums (ARIA)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	39
	UK Albums (OCC)<ref>Template:Cite magazine</ref>	68
	US Billboard 200<ref>Template:Cite magazine</ref>	88
1993	Australian Albums (ARIA)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	20
1995	US Top Pop Catalog Albums (Billboard)<ref name="bbyearend1995">Template:Cite magazine</ref>	42
1996	US Top Pop Catalog Albums (Billboard)<ref name="bbyearend1996">Template:Cite magazine</ref>	45
1999	US Top Pop Catalog Albums (Billboard)<ref name="bbyearend1999">Template:Cite magazine</ref>	37
2000	Belgian Albums (Ultratop Flanders)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	97
	Dutch Albums (Album Top 100)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	95
	Finnish Foreign Albums (Suomen virallinen lista)<ref name="Finland2000">{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	133
	UK Albums (OCC)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	82
	US Top Pop Catalog Albums (Billboard)<ref name="bbyearend2000">Template:Cite magazine</ref>	39
2001	UK Albums (OCC)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	90
2002	US Top Pop Catalog Albums (Billboard)<ref name="bbyearend2002">Template:Cite magazine</ref>	23
2004	Belgian Midprice Albums (Ultratop Flanders)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	19
2004	Belgian Midprice Albums (Ultratop Wallonia)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	48