Mithraism

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File:MithraReliefvert.jpg
Double-faced Mithraic relief. Fiano Romano (Rome), 2nd to 3rd century CE (Louvre Museum).
File:MithrasIMG 5339.JPG
Rock-born Mithras and Mithraic artifacts (Baths of Diocletian, Rome)

Mithraism, also known as the Mithraic mysteries or the Cult of Mithras, was a Roman mystery religion focused on the god Mithras. Although inspired by Iranian worship of the Zoroastrian divinity (yazata) Mithra, the Roman Mithras was linked to a new and distinctive imagery, and the degree of continuity between Persian and Greco-Roman practice remains debatable.Template:Efn The mysteries were popular among the Imperial Roman army from the 1st to the 4th century AD.<ref name=Geden-1925-2004/>

Worshippers of Mithras had a complex system of seven grades of initiation and communal ritual meals. Initiates called themselves syndexioi, those "united by the handshake".Template:Efn They met in dedicated mithraea (singular mithraeum), underground temples that survive in large numbers. The cult appears to have had its centre in Rome,<ref name="hopfe-5"/> and was popular throughout the western half of the empire, as far south as Roman Africa and Numidia, as far east as Roman Dacia, as far north as Roman Britain,<ref name=Clauss-2000/>Template:Rp and to a lesser extent in Roman Syria in the east.<ref name="hopfe-5"/>

Mithraism is viewed as a rival of early Christianity.<ref name=Richardson-Hopfe-1994-Archeol/>Template:Rp In the 4th century, Mithraists faced persecution from Christians, and the religion was subsequently suppressed and eliminated in the Roman Empire by the end of the century.<ref name=collectedworks/>

Numerous archaeological finds, including meeting places, monuments, and artifacts, have contributed to modern knowledge about Mithraism throughout the Roman Empire.Template:Efn The iconic scenes of Mithras show him being born from a rock, slaughtering a bull, and sharing a banquet with the god Sol (the Sun). About 420 sites have yielded materials related to the cult. Among the items found are about 1000 inscriptions, 700 examples of the bull-killing scene (tauroctony), and about 400 other monuments.<ref name=Clauss-2000>
Template:Cite book Template:Isbn </ref>Template:Rp It has been estimated that there would have been at least 680 mithraea in the city of Rome.<ref name="HaaseTemporini1984"/>Template:Full citation needed No written narratives or theology from the religion survive; limited information can be derived from the inscriptions and brief or passing references in Greek and Latin literature. Interpretation of the physical evidence remains problematic and contested.Template:Efn

NameEdit

The term "Mithraism" is a modern convention. Writers of the Roman era referred to it by phrases such as "Mithraic mysteries", "mysteries of Mithras" or "mysteries of the Persians".<ref name=Beck-2002-07-20/>Template:Efn Modern sources sometimes refer to the Roman religion as Roman Mithraism or Western Mithraism to distinguish it from Persian worship of Mithra.<ref name=Beck-2002-07-20/>Template:Efn

EtymologyEdit

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The name Mithras (Latin, equivalent to Greek Μίθρας<ref>Template:Cite encyclopedia</ref>) is a form of Mithra, the name of an old, pre-Zoroastrian, and, later on, Zoroastrian, godTemplate:EfnTemplate:Efn – a relationship understood by Mithraic scholars since the days of Franz Cumont.Template:Efn An early example of the Greek form of the name is in a 4th century BCE work by Xenophon, the Cyropaedia, which is a biography of the Persian king Cyrus the Great.<ref>Template:Cite book cited in
Template:Cite encyclopedia</ref>

The exact form of a Latin or classical Greek word varies due to the grammatical process of inflection. There is archaeological evidence that in Latin worshippers wrote the nominative form of the god's name as "Mithras". Porphyry's Greek text De Abstinentia (Template:Math), has a reference to the now-lost histories of the Mithraic mysteries by Euboulus and Pallas, the wording of which suggests that these authors treated the name "Mithra" as an indeclinable foreign word.Template:Efn

Related deity-names in other languages include:

Template:Cite book </ref> In Sanskrit, mitra is an unusual name of the sun god, mostly known as "Surya" or "Aditya", however.<ref name=Turcan-1996-earliest/>

  • the form mi-it-ra-, found in an inscribed peace treaty between the Hittites and the kingdom of Mitanni, from about 1400 BCE.Template:Efn between the king of the Hittites, Subbiluliuma, and the king of Mitanni, Mativaza. ... It is the earliest evidence of Mithras in Asia Minor.<ref name=Turcan-1996-earliest>

Template:Cite book </ref><ref> Template:Cite journal </ref>

Iranian Mithra and Sanskrit Mitra are believed to come from the Indo-Iranian word mitrás, meaning "contract, agreement, covenant".<ref>Template:Iranica</ref>

Modern historians have different conceptions about whether these names refer to the same god or not. John R. Hinnells has written of Mitra / Mithra / Mithras as a single deity, worshipped in several different religions.<ref>Template:Cite book</ref> On the other hand, David Ulansey considers the bull-slaying Mithras to be a new god who began to be worshipped in the 1st century BCE, and to whom an old name was applied.Template:Efn

Mary Boyce, an academic researcher on ancient Iranian religions, writes that even though Roman Mithraism seems to have had less Iranian content than ancient Romans or modern historians used to think, nonetheless "as the name Mithras alone shows, this content was of some importance".Template:Efn

IconographyEdit

File:Neuenheimer Mithraeum.jpg
Relief of Mithras as bull-slayer from Neuenheim near Heidelberg, framed by scenes from Mithras' life.

Much about the cult of Mithras is only known from reliefs and sculptures. There have been many attempts to interpret this material.

Mithras-worship in the Roman Empire was characterized by images of the god slaughtering a bull. Other images of Mithras are found in the Roman temples, for instance Mithras banqueting with Sol, and depictions of the birth of Mithras from a rock. But the image of bull-slaying (tauroctony) is always in the central niche.<ref name=Ulansey-1991-Origins>Template:Cite book</ref>Template:Rp Textual sources for a reconstruction of the theology behind this iconography are very rare.Template:Efn (See section Interpretations of the bull-slaying scene below.)

The practice of depicting the god slaying a bull seems to be specific to Roman Mithraism. According to David Ulansey, this is "perhaps the most important example" of evident difference between Iranian and Roman traditions: "... there is no evidence that the Iranian god Mithra ever had anything to do with killing a bull."<ref name=Ulansey-1991-Origins/>Template:Rp

Bull-slaying sceneEdit

Template:See also In every mithraeum the centerpiece was a representation of Mithras killing a sacred bull, an act called the tauroctony.Template:EfnTemplate:Efn The image may be a relief, or free-standing, and side details may be present or omitted. The centre-piece is Mithras clothed in Anatolian costume and wearing a Phrygian cap; who is kneeling on the exhausted bull, holding it by the nostrils<ref name=Clauss-2000/>Template:Rp with his left hand, and stabbing it with his right. As he does so, he looks over his shoulder towards the figure of Sol. A dog and a snake reach up towards the blood. A scorpion seizes the bull's genitals. A raven is flying around or is sitting on the bull. One or three ears of wheat are seen coming out from the bull's tail, sometimes from the wound. The bull was often white. The god is sitting on the bull in an unnatural way with his right leg constraining the bull's hoof and the left leg is bent and resting on the bull's back or flank.Template:Efn The two torch-bearers on either side are dressed like Mithras: Cautes with his torch pointing up, and Cautopates with his torch pointing down.<ref name=Clauss-2000/>Template:Rp<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Sometimes Cautes and Cautopates carry shepherds' crooks instead of torches.<ref>Template:Cite journal
See also Template:Cite encyclopediaTemplate:Dead link</ref>

The event takes place in a cavern, into which Mithras has carried the bull, after having hunted it, ridden it and overwhelmed its strength.<ref name=Clauss-2000/>Template:Rp Sometimes the cavern is surrounded by a circle, on which the twelve signs of the zodiac appear. Outside the cavern, top left, is Sol the sun, with his flaming crown, often driving a quadriga. A ray of light often reaches down to touch Mithras. At the top right is Luna, with her crescent moon, who may be depicted driving a biga.<ref name="griffithlecole">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In some depictions, the central tauroctony is framed by a series of subsidiary scenes to the left, top and right, illustrating events in the Mithras narrative; Mithras being born from the rock, the water miracle, the hunting and riding of the bull, meeting Sol who kneels to him, shaking hands with Sol and sharing a meal of bull-parts with him, and ascending to the heavens in a chariot.<ref name="griffithlecole"/> In some instances, as is the case in the stucco icon at Santa Prisca Mithraeum in Rome, the god is shown heroically nude.Template:Efn Some of these reliefs were constructed so that they could be turned on an axis. On the reverse was another, more elaborate feasting scene. This indicates that the bull killing scene was used in the first part of the celebration, then the relief was turned, and the second scene was used in the second part of the celebration.<ref> Template:Cite book </ref> Besides the main cult icon, a number of mithraea had several secondary tauroctonies, and some small portable versions, probably meant for private devotion, have also been found.<ref>Template:Cite book</ref>

BanquetEdit

The second most important scene after the tauroctony in Mithraic art is the so-called banquet scene.<ref name=Beck-2004-InPlcLion/>Template:Rp The banquet scene features Mithras and Sol Invictus banqueting on the hide of the slaughtered bull.<ref name=Beck-2004-InPlcLion/>Template:Rp On the specific banquet scene on the Fiano Romano relief, one of the torchbearers points a caduceus towards the base of an altar, where flames appear to spring up. Robert Turcan has argued that since the caduceus is an attribute of Mercury, and in mythology Mercury is depicted as a psychopomp, the eliciting of flames in this scene is referring to the dispatch of human souls and expressing the Mithraic doctrine on this matter.<ref name="Beck_2006_27_28"/> Turcan also connects this event to the tauroctony: The blood of the slain bull has soaked the ground at the base of the altar, and from the blood the souls are elicited in flames by the caduceus.<ref name="Beck_2006_27_28">Template:Cite book</ref>

Birth from a rockEdit

Template:Multiple image Mithras is depicted as being born from a rock. He is often shown as emerging from a rock, already in his youth, with a dagger in one hand and a torch in the other. He is nude, standing with his legs together, and is wearing a Phrygian cap.<ref name=Vermaseren-1951-birth/>

In some variations, he is shown coming out of the rock as a child, and in one holds a globe in one hand; sometimes a thunderbolt is seen. There are also depictions in which flames are shooting from the rock and also from Mithras' cap. One statue had its base perforated so that it could serve as a fountain, and the base of another has the mask of a water god. Sometimes Mithras also has other weapons such as bows and arrows, and there are also animals such as dogs, serpents, dolphins, eagles, other birds, lions, crocodiles, lobsters and snails around. On some reliefs, there is a bearded figure identified as the water god Oceanus, and on some there are the gods of the four winds. In these reliefs, the four elements could be invoked together. Sometimes Victoria, Luna, Sol, and Saturn also seem to play a role. Saturn in particular is often seen handing over the dagger or short sword to Mithras, used later in the tauroctony.<ref name=Vermaseren-1951-birth/>

In some depictions, Cautes and Cautopates are also present; sometimes they are depicted as shepherds.<ref>Template:Cite book</ref>

On some occasions, an amphora is seen, and a few instances show variations like an egg birth or a tree birth. Some interpretations show that the birth of Mithras was celebrated by lighting torches or candles.<ref name=Vermaseren-1951-birth>Template:Cite book</ref><ref>Template:Cite book
See also the image of "Mithras petra genetrix Terme", inset above.</ref>

Lion-headed figureEdit

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File:Leontocephaline at Ostia Antica by Franz Cumont.jpg
Drawing of the leontocephaline found at a mithraeum in Ostia Antica, Italy (190 CE; CIMRM<ref name=CIMRM-1960/> 312)

One of the most characteristic and poorly-understood features of the Mysteries is the naked lion-headed figure often found in Mithraic temples, named by the modern scholars with descriptive terms such as leontocephaline (lion-headed) or leontocephalus (lion-head).

His body is a naked man's, entwined by a serpent (or two serpents, like a caduceus), with the snake's head often resting on the lion's head. The lion's mouth is often open. He is usually represented as having four wings, two keys (sometimes a single key), and a sceptre in his hand. Sometimes the figure is standing on a globe inscribed with a diagonal cross. On the figure from the Ostia Antica Mithraeum (left, CIMRM<ref name=CIMRM-1960/> 312), the four wings carry the symbols of the four seasons, and a thunderbolt is engraved on his chest. At the base of the statue are the hammer and tongs of Vulcan and Mercury's cock and wand (caduceus). A rare variation of the same figure is also found with a human head and a lion's head emerging from its chest.<ref name="von_Gall">Template:Cite book</ref><ref>Template:Cite book</ref>

Although animal-headed figures are prevalent in contemporary Egyptian and Gnostic mythological representations, no exact parallel to the Mithraic leontocephaline figure has been found.<ref name=von_Gall/>

Based on dedicatory inscriptions for altars, the name of the figure is conjectured to be Arimanius, a Latinized form of the name AhrimanTemplate:Efn – perplexingly, a demonic figure in the Zoroastrian pantheon. Arimanius is known from inscriptions to have been a god in the Mithraic cult as seen, for example, in images from the Corpus Inscriptionum et Monumentorum Religionis Mithriacae (CIMRM<ref name=CIMRM-1960/>) such as CIMRM<ref name=CIMRM-1960/> 222 from Ostia, CIMRM 369 from Rome, and CIMRM<ref name=CIMRM-1960/> 1773 and 1775 from Pannonia.<ref name=Jackson>Template:Cite journal</ref>

Some scholars identify the lion-man as Aion, or Zurvan, or Cronus, or Chronos, while others assert that it is a version of the Zoroastrian Ahriman or the more benign Vedic Aryaman.Template:Efn Although the exact identity of the lion-headed figure is debated by scholars, it is largely agreed that the god is associated with time and seasonal change.<ref name=Beck-2004-Zoroastrianism/>Template:Rp

Rituals and worshipEdit

According to M.J. Vermaseren and C.C. van Essen, the Mithraic New Year and the birthday of Mithras was on 25 December.Template:EfnTemplate:Efn Beck disagreed strongly.<ref name=Beck-1987>Template:Cite journal</ref>Template:Rp Clauss states:

"The Mithraic Mysteries had no public ceremonies of its own. The festival of Natalis Invicti, held on 25 December, was a general festival of the Sun, and by no means specific to the Mysteries of Mithras."<ref>Template:Cite book</ref>

Mithraic initiates were required to swear an oath of secrecy and dedication.<ref name=NovaRoma-2009-03-11> {{#invoke:citation/CS1|citation |CitationClass=web }} </ref>

Mithras was thought to be a "warrior hero" similar to Greek heroes.<ref name=":0">Template:Cite book</ref>

Mithraic catechismEdit

Apparently, some grade rituals involved the recital of a catechism, wherein the initiate was asked a series of questions pertaining to the initiation symbolism and had to reply with specific answers. An example of such a catechism, apparently pertaining to the Leo grade, was discovered in a fragmentary Egyptian papyrus (Papyrus Berolinensis 21196),<ref name=NovaRoma-2009-03-11/><ref>Template:Cite book</ref> and reads:

Verso
[...] He will say: 'Where [...]?'
'[...] is he at a loss there?' Say: '[...]'
[...] Say: 'Night'. He will say: 'Where [...]?'
[...] Say: 'All things [...]'
'[...] are you called?' Say: 'Because of the summery [...]'
[...] having become [...] he/it has the fiery ones
'[...] did you receive?' Say: 'In a pit'. He will say: 'Where is your [...]?'
'[...] [in the] Leonteion.' He will say: 'Will you gird [...]?'
'[...] death'. He will say: 'Why, having girded yourself, [...]?'
[...] this [has?] four tassels.
Recto
Very sharp and [...]
[...] much. He will say: '[...]?'
'[...] of the hot and cold'. He will say: '[...]?'
'[...] red [...] linen'. He will say: 'Why?' Say:
[...] red border; the linen, however, [...]
'[...] has been wrapped?' Say: 'The savior's [...]'
He will say: 'Who is the father?' Say: 'The one who [begets] everything [...]'
[He will say: 'How] did you become a Leo?' Say: 'By the [...] of the father [...]'
Say: 'Drink and food'. He will say: '[...]?'
[...] in the seven-[...]

Almost no Mithraic scripture or first-hand account of its rituals survives;Template:Efn with the exception of the aforementioned oath and catechism, and the document known as the Mithras Liturgy, from 4th century Egypt, whose status as a Mithraist text has been questioned by scholars including Franz Cumont.Template:Efn<ref>Template:Cite book</ref> The walls of mithraea were commonly whitewashed, and where this survives, it tends to carry extensive repositories of graffiti; and these, together with inscriptions on Mithraic monuments, form the main source for Mithraic texts.<ref> Template:Cite book </ref>

FeastingEdit

The archaeology of numerous mithraea indicates that most rituals were associated with feasting – as eating utensils and food residues are often found. These tend to include both animal bones and also very large quantities of fruit residues.<ref name=Clauss-2000/>Template:Rp The presence of large numbers of cherry-stones in particular would tend to confirm mid-summer (late June, early July) as a season especially associated with Mithraic festivities. The Virunum album, in the form of an inscribed bronze plaque, records a Mithraic festival of commemoration as taking place on 26 June 184. Beck argues that religious celebrations on this date are indicative of special significance being given to the summer solstice; but this time of the year coincides with ancient recognition of the solar maximum at midsummer, when iconographically identical holidays such as Litha, Saint John's Eve, and Jāņi are also observed.

For their feasts, Mithraic initiates reclined on stone benches arranged along the longer sides of the mithraeumTemplate:Sndtypically there might be room for 15 to 30 diners, but very rarely many more than 40 men.<ref name=Clauss-2000/>Template:Rp Counterpart dining rooms, or triclinia, were to be found above ground in the precincts of almost any temple or religious sanctuary in the Roman empire, and such rooms were commonly used for their regular feasts by Roman 'clubs', or collegia. Mithraic feasts probably performed a very similar function for Mithraists as the collegia did for those entitled to join them; indeed, since qualification for Roman collegia tended to be restricted to particular families, localities or traditional trades, Mithraism may have functioned in part as providing clubs for the unclubbed.<ref>Template:Cite book</ref> The size of the mithraeum is not necessarily an indication of the size of the congregation.<ref name=Bjørnebye-2007/>Template:Rp

Altars, iconography, and suspected doctrinal diversityEdit

Each mithraeum had several altars at the further end, underneath the representation of the tauroctony, and also commonly contained considerable numbers of subsidiary altars, both in the main mithraeum chamber and in the ante-chamber or narthex.<ref name=Clauss-2000/>Template:Rp These altars, which are of the standard Roman pattern, each carry a named dedicatory inscription from a particular initiate, who dedicated the altar to Mithras "in fulfillment of his vow", in gratitude for favours received.

Burned residues of animal entrails are commonly found on the main altars, indicating regular sacrificial use, though mithraea do not commonly appear to have been provided with facilities for ritual slaughter of sacrificial animals (a highly specialised function in Roman religion), and it may be presumed that a mithraeum would have made arrangements for this service to be provided for them in co-operation with the professional victimarius<ref name=Price-Kearns-ODCMR>Template:Cite book</ref>Template:Rp of the civic cult. Prayers were addressed to the Sun three times a day, and Sunday was especially sacred.<ref>Template:Cite book</ref>

It is doubtful whether Mithraism had a monolithic and internally consistent doctrine.Template:Efn It may have varied from location to location.<ref name=Beck-2004-InPlcLion/>Template:Rp The iconography is relatively coherent.<ref name=griffithlecole/> It had no predominant sanctuary or cultic centre; and, although each mithraeum had its own officers and functionaries, there was no central supervisory authority. In some mithraea, such as that at Dura Europos, wall paintings depict prophets carrying scrolls,<ref>Template:Cite book</ref> but no named Mithraic sages are known, nor does any reference give the title of any Mithraic scripture or teaching. It is known that initiates could transfer with their grades from one Mithraeum to another.<ref name=Clauss-2000/>Template:Rp

MithraeumEdit

Template:See also

Temples of Mithras are sunk below ground, windowless, and very distinctive. In cities, the basement of an apartment block might be converted; elsewhere they might be excavated and vaulted over, or converted from a natural cave. Mithraic temples are common in the empire; although unevenly distributed, with considerable numbers found in Rome, Ostia, Numidia, Dalmatia, Britain and along the Rhine/Danube frontier, while being somewhat less common in Greece, Egypt, and Syria.<ref name=Clauss-2000/>Template:Rp According to Walter Burkert, the secret character of Mithraic rituals meant that Mithraism could only be practiced within a Mithraeum.<ref>Template:Cite book</ref> Some new finds at Tienen show evidence of large-scale feasting and suggest that the mystery religion may not have been as secretive as was generally believed.Template:Efn

For the most part, mithraea tend to be small, externally undistinguished, and cheaply constructed; the cult generally preferring to create a new centre rather than expand an existing one. The mithraeum represented the cave to which Mithras carried and then killed the bull; and where stone vaulting could not be afforded, the effect would be imitated with lath and plaster. They are commonly located close to springs or streams; fresh water appears to have been required for some Mithraic rituals, and a basin is often incorporated into the structure.<ref name=Clauss-2000/>Template:Rp There is usually a narthex or ante-chamber at the entrance, and often other ancillary rooms for storage and the preparation of food. The extant mithraea present us with actual physical remains of the architectural structures of the sacred spaces of the Mithraic cult. Mithraeum is a modern coinage and mithraists referred to their sacred structures as speleum or antrum (cave), crypta (underground hallway or corridor), fanum (sacred or holy place), or even templum (a temple or a sacred space).Template:Efn

In their basic form, mithraea were entirely different from the temples and shrines of other cults. In the standard pattern of Roman religious precincts, the temple building functioned as a house for the god, who was intended to be able to view, through the opened doors and columnar portico, sacrificial worship being offered on an altar set in an open courtyard – potentially accessible not only to initiates of the cult, but also to colitores or non-initiated worshippers.<ref name=Price-Kearns-ODCMR/>Template:Rp Mithraea were the antithesis of this.<ref name=Price-Kearns-ODCMR/>Template:Rp

Degrees of initiationEdit

In the Suda under the entry Mithras, it states that "No one was permitted to be initiated into them (the mysteries of Mithras), until he should show himself holy and steadfast by undergoing several graduated tests."Template:Refn Gregory Nazianzen refers to the "tests in the mysteries of Mithras".Template:Refn

There were seven grades of initiation into Mithraism, which are listed by St. Jerome.<ref>Template:Cite book</ref> Manfred Clauss states that the number of grades, seven, must be connected to the planets. A mosaic in the Mithraeum of Felicissimus, Ostia Antica depicts these grades, with symbolic emblems that are connected either to the grades or are symbols of the planets. The grades also have an inscription beside them commending each grade into the protection of the different planetary gods.<ref name=Clauss-2000/>Template:Rp In ascending order of importance, the initiatory grades were:<ref name=Clauss-2000/>Template:Rp

Template:Small Name Symbols Planet or
tutelary
deity
Ostia Antica
Template:Small
symbol mosaic
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Corax, Corux,
or Corvex

(raven or crow)
Raven, beaker, caduceus Mercury
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Nymphus,
Nymphobus

(bridegroom)
Lamp, hand bell,
veil, circlet or diadem
Venus
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Miles
(soldier)
Pouch, helmet, lance,
drum, belt, breastplate
Mars
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Leo
(lion)
Batillum, sistrum,
laurel wreath, thunderbolt
Jupiter
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Perses
(Persian)
Hooked sword, Phrygian cap, sickle,
lunar crescent, stars, sling, pouch
Luna
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Heliodromus
(sun-runner)
Torch, images of Helios,
radiate crown, whip, robes
Sol
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Pater
(father)
Patera, mitre, shepherd's staff,
garnet or ruby ring,
chasuble or cape,
elaborate jewel-encrusted robes
with metallic threads
Saturn

Elsewhere, as at Dura-Europos, Mithraic graffiti survive giving membership lists, in which initiates of a mithraeum are named with their Mithraic grades. At Virunum, the membership list or album sacratorum was maintained as an inscribed plaque, updated year by year as new members were initiated. By cross-referencing these lists it is possible to track some initiates from one mithraeum to another; and also speculatively to identify Mithraic initiates with persons on other contemporary lists such as military service rolls and lists of devotees of non-Mithraic religious sanctuaries. Names of initiates are also found in the dedication inscriptions of altars and other cult objects.

Clauss noted in 1990 that overall, only about 14% of Mithraic names inscribed before 250 CE identify the initiate's grade – and hence questioned the traditional view that all initiates belonged to one of the seven grades.<ref>Template:Cite journal</ref> Clauss argues that the grades represented a distinct class of priests, sacerdotes. Gordon maintains the former theory of Merkelbach and others, especially noting such examples as Dura where all names are associated with a Mithraic grade. Some scholars maintain that practice may have differed over time, or from one Mithraeum to another.

The highest grade, pater, is by far the most common one found on dedications and inscriptions – and it would appear not to have been unusual for a mithraeum to have several men with this grade. The form pater patrum (father of fathers) is often found, which appears to indicate the pater with primary status. There are several examples of persons, commonly those of higher social status, joining a mithraeum with the status pater – especially in Rome during the 'pagan revival' of the 4th century. It has been suggested that some mithraea may have awarded honorary pater status to sympathetic dignitaries.<ref>Template:Cite journal</ref>

The initiate into each grade appears to have been required to undertake a specific ordeal or test,<ref name=Clauss-2000/>Template:Rp involving exposure to heat, cold or threatened peril. An 'ordeal pit', dating to the early 3rd century, has been identified in the mithraeum at Carrawburgh. Accounts of the cruelty of the emperor Commodus describes his amusing himself by enacting Mithraic initiation ordeals in homicidal form. By the later 3rd century, the enacted trials appear to have been abated in rigor, as 'ordeal pits' were floored over.

Admission into the community was completed with a handshake with the pater, just as Mithras and Sol shook hands. The initiates were thus referred to as syndexioi (those united by the handshake). The term is used in an inscription by ProficentiusTemplate:Efn and derided by Firmicus Maternus in De errore profanarum religionum,Template:Refn a 4th century Christian work attacking paganism.<ref>Template:Cite encyclopedia</ref> In ancient Iran, taking the right hand was the traditional way of concluding a treaty or signifying some solemn understanding between two parties.<ref> Template:Cite book</ref>

Ritual re-enactmentsEdit

File:Bible museum - Mithrasheiligtum.jpg
Reconstruction of a mithraeum with a mosaic depicting the grades of initiation

Activities of the most prominent deities in Mithraic scenes, Sol and Mithras, were imitated in rituals by the two most senior officers in the cult's hierarchy, the Pater and the Heliodromus.<ref name=Beck-2004-InPlcLion/>Template:Rp The initiates held a sacramental banquet, replicating the feast of Mithras and Sol.<ref name=Beck-2004-InPlcLion/>Template:Rp

Reliefs on a cup found in Mainz<ref name=Beck-2000>Template:Cite journal</ref><ref>Template:Cite journal</ref> appear to depict a Mithraic initiation. On the cup, the initiate is depicted as being led into a location where a Pater would be seated in the guise of Mithras with a drawn bow. Accompanying the initiate is a mystagogue, who explains the symbolism and theology to the initiate. The Rite is thought to re-enact what has come to be called the 'Water Miracle', in which Mithras fires a bolt into a rock, and from the rock now spouts water.

Roger Beck has hypothesized a third processional Mithraic ritual, based on the Mainz cup and Porphyrys. This scene, called 'Procession of the Sun-Runner', shows the Heliodromus escorted by two figures representing Cautes and Cautopates (see below) and preceded by an initiate of the grade Miles leading a ritual enactment of the solar journey around the mithraeum, which was intended to represent the cosmos.<ref>Template:Cite book</ref>

Consequently, it has been argued that most Mithraic rituals involved a re-enactment by the initiates of episodes in the Mithras narrative,<ref name=Clauss-2000/>Template:Rp a narrative whose main elements were: birth from the rock, striking water from stone with an arrow shot, the killing of the bull, Sol's submission to Mithras, Mithras and Sol feasting on the bull, the ascent of Mithras to heaven in a chariot. A noticeable feature of this narrative (and of its regular depiction in surviving sets of relief carvings) is the absence of female personages (the sole exception being Luna watching the tauroctony in the upper corner opposite Helios, and the presumable presence of Venus as patroness of the nymphus grade).<ref name=Clauss-2000/>Template:Rp

MembershipEdit

File:Mithraic Low Relief - Setif, Algeria.png
Another dedication to Mithras by legionaries of Legio II Herculia has been excavated at Sitifis (modern Setif in Algeria), so the unit or a subunit must have been transferred at least once.

Only male names appear in surviving inscribed membership lists. Historians including Cumont and Richard Gordon have concluded that the cult was for men only.Template:EfnTemplate:Efn

The ancient scholar Porphyry refers to female initiates in Mithraic rites.Template:Efn The early 20th-century historian A.S. Geden wrote that this may be due to a misunderstanding.<ref name=Geden-1925-2004/> According to Geden, while the participation of women in the ritual was not unknown in the Eastern cults, the predominant military influence in Mithraism makes it unlikely in this instance.<ref name=Geden-1925-2004/> It has recently been suggested by David Jonathan that "Women were involved with Mithraic groups in at least some locations of the empire."<ref name=David_2000>Template:Cite journal</ref>Template:Rp

Soldiers were strongly represented amongst Mithraists, and also merchants, customs officials and minor bureaucrats. Few, if any, initiates came from leading aristocratic or senatorial families until the 'pagan revival' of the mid-4th century; but there were always considerable numbers of freedmen and slaves.<ref name=Clauss-2000/>Template:Rp

EthicsEdit

Clauss suggests that a statement by Porphyry, that people initiated into the Lion grade must keep their hands pure from everything that brings pain and harm and is impure, means that moral demands were made upon members of congregations.Template:Efn

A passage in the Caesares of Julian the Apostate refers to "commandments of Mithras".Template:Efn Tertullian, in his treatise "On the Military Crown" records that Mithraists in the army were officially excused from wearing celebratory coronets on the basis of the Mithraic initiation ritual that included refusing a proffered crown, because "their only crown was Mithras".<ref>Template:Cite book</ref>

History and developmentEdit

Mithras before the Roman MysteriesEdit

File:Mithra&Antiochus.jpg
Mithras-Helios, with solar rays and in Iranian dress,<ref name=Grenet-2016-EncIranica/> with Antiochus I of Commagene. (Mt. Nemrut, 1st century BCE)

According to the archaeologist Maarten Vermaseren, evidence from Commagene from the 1st century BCE demonstrates the "reverence paid to Mithras" but does not refer to "the mysteries".Template:Efn In the colossal statuary erected by King Antiochus I (69–34 BCE) at Mount Nemrut, Mithras is shown beardless, wearing a Phrygian cap<ref name="hopfe-5"/><ref name="CIMRM 29"> Template:Cite book </ref> (or the similar headdress – a Persian tiara), in Iranian (Parthian) clothing,<ref name=Grenet-2016-EncIranica/> and was originally seated on a throne alongside other deities and the king himself.<ref> Template:Cite book </ref> On the back of the thrones there is an inscription in Greek, which includes the compound name Apollo-Mithras-Helios in the genitive case (Ἀπόλλωνος Μίθρου Ἡλίου).<ref> Template:Cite book </ref> Vermaseren also reports about a Mithras cult in Fayum in the 3rd century BCE <ref name=Barnett-1975> Template:Cite conference </ref>Template:Rp R.D. Barnett has argued that the royal seal of King Saussatar of the Mitanni from Template:Circa depicts a tauroctonous Mithras.Template:Efn

Beginnings of Roman MithraismEdit

The origins and spread of the Mysteries have been intensely debated among scholars and there are radically differing views on these issues.<ref>Template:Cite book</ref> According to Clauss, mysteries of Mithras were not practiced until the 1st century CE.<ref name=Clauss-2000/> According to Ulansey, the earliest evidence for the Mithraic mysteries places their appearance in the middle of the 1st century BCE: The historian Plutarch says that in 67 BCE the pirates of Cilicia (a province on the southeastern coast of Asia Minor, that provided sea access to adjacent Commagene) were practicing "secret rites" of Mithras.Template:Efn According to C.M. Daniels,<ref name=Daniels-1975/> whether any of this relates to the origins of the mysteries is unclear.Template:Efn The unique underground temples or mithraea appear suddenly in the archaeology in the last quarter of the 1st century CE.<ref> Template:Cite journal </ref>Template:Rp

Earliest archaeologyEdit

Inscriptions and monuments related to the Mithraic Mysteries are catalogued in a two volume work by Maarten J. Vermaseren, the Corpus Inscriptionum et Monumentorum Religionis Mithriacae (or CIMRM).<ref name=CIMRM-1960>Template:Cite book</ref> The earliest monument showing Mithras slaying the bull is thought to be CIMRM 593, found in Rome. There is no date, but the inscription tells us that it was dedicated by a certain Alcimus, steward of T. Claudius Livianus. Vermaseren and Gordon believe that this Livianus is a certain Livianus who was commander of the Praetorian guard in 101 CE, which would give an earliest date of 98–99 CE.<ref>Template:Cite journal</ref>

File:Stela funerara MItra MNIR.JPG
Votive altar from Alba Iulia in present-day Romania, dedicated to Invicto Mythrae in fulfillment of a vow (votum)

Five small terracotta plaques of a figure holding a knife over a bull have been excavated near Kerch in the Crimea, dated by Beskow and Clauss to the second half of the 1st century BCE,Template:Efn and by Beck to 50 BCE – 50 CE. These may be the earliest tauroctonies, if they are accepted to be a depiction of Mithras.Template:Efn

The bull-slaying figure wears a Phrygian cap, but is described by Beck and Beskow as otherwise unlike standard depictions of the tauroctony. Another reason for not connecting these artifacts with the Mithraic Mysteries is that the first of these plaques was found in a woman's tomb.Template:Efn

An altar or block from near SS. Pietro e Marcellino on the Esquiline in Rome was inscribed with a bilingual inscription by an Imperial freedman named T. Flavius Hyginus, probably between 80 and 100 CE. It is dedicated to Sol Invictus Mithras.Template:Efn

CIMRM<ref name=CIMRM-1960/> 2268 is a broken base or altar from Novae/Steklen in Moesia Inferior, dated 100 CE, showing Cautes and Cautopates.

Other early archaeology includes the Greek inscription from Venosia by Sagaris actor probably from 100–150 CE; the Sidon cippus dedicated by Theodotus priest of Mithras to Asclepius, 140–141 CE; and the earliest military inscription, by C. Sacidius Barbarus, centurion of XV Apollinaris, from the bank of the Danube at Carnuntum, probably before 114 CE.<ref name=Gordon-1978/>Template:Rp

According to C.M. Daniels,<ref name=Daniels-1975/> the Carnuntum inscription is the earliest Mithraic dedication from the Danube region, which along with Italy is one of the two regions where Mithraism first struck root.Template:Efn The earliest dateable mithraeum outside Rome dates from 148 CE.Template:Efn The Mithraeum at Caesarea Maritima is the only one in Palestine and the date is inferred.Template:Efn

Earliest cult locationsEdit

According to Roger Beck, the attested locations of the Roman cult in the earliest phase (Template:Circa) are as follows:<ref name=Beck-2004-InPlcLion/>Template:Rp

Mithraea datable from pottery

Datable dedications

  • Nida/Heddernheim I (Germania Sup.) (CIMRM<ref name=CIMRM-1960/> 1091, 1092, & 1098)
  • Carnuntum III (Pannonia Sup.) (CIMRM<ref name=CIMRM-1960/> 1718)
  • Novae (Moesia Inf.) (CIMRM<ref name=CIMRM-1960/> 2268 & 2269)
  • Oescus (Moesia Inf.) (CIMRM 2250)
  • Rome (CIMRM<ref name=CIMRM-1960/> 362, 593, & 594)

Classical literature about Mithras and the MysteriesEdit

File:Fresque Mithraeum Marino.jpg
Mithras and the Bull: This fresco from the mithraeum at Marino, Italy (third century) shows the tauroctony and the celestial lining of Mithras' cape.

According to Boyce, the earliest literary references to the mysteries are by the Latin poet Statius, about 80 CE, and Plutarch (c. 100 CE).<ref name=Boyce-Grenet-1975/>Template:Efn

StatiusEdit

The Thebaid (Template:Circa) an epic poem by Statius, pictures Mithras in a cave, wrestling with something that has horns.<ref>Template:Cite book

{{#invoke:citation/CS1|citation

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{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> The context is a prayer to the god Phoebus.<ref>The prayer begins at
Template:Cite book

{{#invoke:citation/CS1|citation

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{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> The cave is described as persei, which in this context is usually translated Persian. According to the translator J.H. Mozley it literally means Persean, referring to Perses, the son of Perseus and Andromeda,<ref name=Ulansey-1991-Origins/>Template:Rp this Perses being the ancestor of the Persians according to Greek legend.<ref name=Ulansey-1991-Origins/>Template:Rp

Justin MartyrEdit

Writing in approximately 145 CE, the early Christian apologist Justin Martyr charges the cult of Mithras with imitating the Christian communion,

Which the wicked devils have imitated in the mysteries of Mithras, commanding the same things to be done. For, that bread and a cup of water are placed, with certain incantations, in the mystic rites of one who is being initiated, you either know or can learn.<ref>Template:Cite book</ref>

PlutarchEdit

The Greek biographer Plutarch (46–127 CE) says that "secret mysteries ... of Mithras" were practiced by the pirates of Cilicia, the coastal province in the southeast of Anatolia, who were active in the 1st century BCE: "They likewise offered strange sacrifices; those of Olympus I mean; and they celebrated certain secret mysteries, among which those of Mithras continue to this day, being originally instituted by them."<ref name="Life of Pompey 24">Template:Cite book — refers to events Template:Circa</ref> He mentions that the pirates were especially active during the Mithridatic wars (between the Roman Republic and King Mithridates VI of Pontus) in which they supported the king.<ref name="Life of Pompey 24"/> The association between Mithridates and the pirates is also mentioned by the ancient historian Appian.Template:Refn The 4th century commentary on Vergil by Servius says that Pompey settled some of these pirates in Calabria in southern Italy.<ref>Template:Cite conference

The reference to Servius is in a

Template:Cite book.</ref>

Dio CassiusEdit

The historian Dio Cassius (2nd to 3rd century CE) tells how the name of Mithras was spoken during the state visit to Rome of Tiridates I of Armenia, during the reign of Nero. (Tiridates was the son of Vonones II of Parthia, and his coronation by Nero in 66 CE confirmed the end of a war between Parthia and Rome.) Dio Cassius writes that Tiridates, as he was about to receive his crown, told the Roman emperor that he revered him "as Mithras".<ref>Template:Cite book</ref> Roger Beck thinks it possible that this episode contributed to the emergence of Mithraism as a popular religion in Rome.Template:Efn

PorphyryEdit

File:Roman - Fragment of a Mosaic with Mithras - Walters 437.jpg
Mosaic (1st century CE) depicting Mithras emerging from his cave and flanked by Cautes and Cautopates (Walters Art Museum)

The philosopher Porphyry (3rd–4th century CE) gives an account of the origins of the Mysteries in his work De antro nympharum (The Cave of the Nymphs).<ref name=deantro2/> Citing Eubulus as his source, Porphyry writes that the original temple of Mithras was a natural cave, containing fountains, which Zoroaster found in the mountains of Persia. To Zoroaster, this cave was an image of the whole world, so he consecrated it to Mithras, the creator of the world. Later in the same work, Porphyry links Mithras and the bull with planets and star-signs: Mithras himself is associated with the sign of Aries and the planet Mars, while the bull is associated with Venus.Template:Efn

Porphyry is writing close to the demise of the cult, and Robert Turcan has challenged the idea that Porphyry's statements about Mithraism are accurate. His case is that far from representing what Mithraists believed, they are merely representations by the Neoplatonists of what it suited them in the late 4th century to read into the mysteries.Template:Refn Merkelbach & Beck believed Porphyry's work "is in fact thoroughly coloured with the doctrines of the Mysteries".<ref name=Beck-1987/>Template:Rp Beck holds that classical scholars have neglected Porphyry's evidence and have taken an unnecessarily skeptical view of Porphyry.<ref> Template:Cite book </ref> According to Beck, Porphyry's De antro is the only clear text from antiquity which tells us about the intent of the Mithraic mysteries and how that intent was realized.Template:Efn David Ulansey finds it important that Porphyry "confirms ... that astral conceptions played an important role in Mithraism."<ref name=Ulansey-1991-Origins/>Template:Rp

Mithras LiturgyEdit

In later antiquity, the Greek name of Mithras (Μίθρας) occurs in the text known as the "Mithras Liturgy", a part of the Paris Greek Magical Papyrus<ref>Template:Cite book</ref> here Mithras is given the epithet "the great god", and is identified with the sun god Helios.Template:Refn<ref> Template:Cite book — Greek source with German translation </ref> There have been different views among scholars as to whether this text is an expression of Mithraism as such. Franz Cumont argued that it isn't;<ref name=Mthrs-Ltrg-2003> Template:Cite book </ref>Template:Rp Marvin Meyer thinks it is;<ref name=Meyer-2006> Template:Cite book </ref>Template:Rp while Hans Dieter Betz sees it as a synthesis of Greek, Egyptian, and Mithraic traditions.<ref name=Mthrs-Ltrg-2003/><ref> Template:Cite journal </ref>

Modern debate on originEdit

Cumont's hypothesis: from Persian state religionEdit

File:Taq-e Bostan - High-relief of Ardeshir II investiture.jpg
4th-century relief of the investiture of the Sasanian king Ardashir II. Mithra stands on a lotus flower on the left holding a barsom.<ref name=iranica>Franz Grenet, 2016. "Mithra ii. Iconography in Iran and Central Asia", Encyclopædia Iranica, online edition (accessed 19 May 2016).</ref>

Scholarship on Mithras begins with Franz Cumont, who published a two volume collection of source texts and images of monuments in French in 1894–1900, Textes et monuments figurés relatifs aux mystères de Mithra [French: Texts and Illustrated Monuments Relating to the Mysteries of Mithra].<ref>Cumont, Franz (1894–1900). Textes et monuments figurés relatifs aux mystères de Mithra. Brussels: H. Lamertin.</ref> An English translation of part of this work was published in 1903, with the title The Mysteries of Mithra.<ref>Cumont, Franz (1903). The Mysteries of Mithra. Translated by Thomas J. McCormack. Chicago: Open Court. Accessible online at Internet Sacred Text Archive: The Mysteries of Mithra Index Template:Webarchive (accessed 13 February 2011)</ref> Cumont's hypothesis, as the author summarizes it in the first 32 pages of his book, was that the Roman religion was "the Roman form of Mazdaism",<ref name=Beck-1987/>Template:Rp the Persian state religion, disseminated from the East. He identified the ancient Aryan deity who appears in Persian literature as Mithras with the Hindu god Mitra of the Vedic hymns.<ref name="RichardsonHopfe1994-3">Template:Cite book</ref> According to Cumont, the god Mithra came to Rome "accompanied by a large representation of the Mazdean Pantheon."<ref>Cumont, Franz (1903). The Mysteries of Mithra. p. 107. Template:Webarchive (accessed 13 February 2011)</ref> Cumont considers that while the tradition "underwent some modification in the Occident ... the alterations that it suffered were largely superficial."<ref>Cumont, Franz (1903). The Mysteries of Mithra. p. 104. Template:Webarchive (accessed 13 February 2011)</ref>

Criticisms and reassessments of CumontEdit

Cumont's theories came in for severe criticism from John R. Hinnells and R.L. Gordon at the First International Congress of Mithraic Studies held in 1971.Template:Efn John Hinnells was unwilling to reject entirely the idea of Iranian origin,<ref>John R. Hinnells, "Reflections on the bull-slaying scene" in Mithraic studies, vol. 2, pp. 303–304: "Nevertheless we would not be justified in swinging to the opposite extreme from Cumont and Campbell and denying all connection between Mithraism and Iran."</ref> but wrote: "we must now conclude that his reconstruction simply will not stand. It receives no support from the Iranian material and is in fact in conflict with the ideas of that tradition as they are represented in the extant texts. Above all, it is a theoretical reconstruction which does not accord with the actual Roman iconography."Template:Efn He discussed Cumont's reconstruction of the bull-slaying scene and stated "that the portrayal of Mithras given by Cumont is not merely unsupported by Iranian texts but is actually in serious conflict with known Iranian theology."Template:Efn Another paper by R.L. Gordon argued that Cumont severely distorted the available evidence by forcing the material to conform to his predetermined model of Zoroastrian origins. Gordon suggested that the theory of Persian origins was completely invalid and that the Mithraic mysteries in the West were an entirely new creation.<ref>Template:Cite book</ref>

A similar view has been expressed by Luther H. Martin: "Apart from the name of the god himself, in other words, Mithraism seems to have developed largely in and is, therefore, best understood from the context of Roman culture."<ref>Template:Cite book</ref>Template:Rp

According to Hopfe, "All theories of the origin of Mithraism acknowledge a connection, however vague, to the Mithra/Mitra figure of ancient Aryan religion."<ref name="RichardsonHopfe1994-4"/> Reporting on the Second International Congress of Mithraic Studies, 1975, Ugo Bianchi says that although he welcomes "the tendency to question in historical terms the relations between Eastern and Western Mithraism", it "should not mean obliterating what was clear to the Romans themselves, that Mithras was a 'Persian' (in wider perspective: an Indo-Iranian) god."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Boyce wrote, "no satisfactory evidence has yet been adduced to show that, before Zoroaster, the concept of a supreme god existed among the Iranians, or that among them Mithra – or any other divinity – ever enjoyed a separate cult of his or her own outside either their ancient or their Zoroastrian pantheons."<ref>Template:Cite journal pp. 243, n.18</ref> She also said that although recent studies have minimized the Iranizing aspects of the self-consciously Persian religion "at least in the form which it attained under the Roman Empire", the name Mithras is enough to show "that this aspect is of some importance." She also says that "the Persian affiliation of the Mysteries is acknowledged in the earliest literary references to them."<ref name=Boyce-Grenet-1975/>

Beck tells us that since the 1970s scholars have generally rejected Cumont, but adds that recent theories about how Zoroastrianism was during the period BCE now make some new form of Cumont's east–west transfer possible.Template:Efn He says that

... an indubitable residuum of things Persian in the Mysteries and a better knowledge of what constituted actual Mazdaism have allowed modern scholars to postulate for Roman Mithraism a continuing Iranian theology. This indeed is the main line of Mithraic scholarship, the Cumontian model which subsequent scholars accept, modify, or reject. For the transmission of Iranian doctrine from East to West, Cumont postulated a plausible, if hypothetical, intermediary: the Magusaeans of the Iranian diaspora in Anatolia. More problematic – and never properly addressed by Cumont or his successors – is how real-life Roman Mithraists subsequently maintained a quite complex and sophisticated Iranian theology behind an occidental facade. Other than the images at Dura of the two 'magi' with scrolls, there is no direct and explicit evidence for the carriers of such doctrines. ... Up to a point, Cumont's Iranian paradigm, especially in Turcan's modified form, is certainly plausible.<ref>Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation

|CitationClass=web

}}</ref><ref>Template:Cite book</ref>

He also says that "the old Cumontian model of formation in, and diffusion from, Anatolia ... is by no means dead – nor should it be."<ref>Template:Cite book</ref>

Modern theoriesEdit

File:Musei Vaticani - Mithra - Sol invictus 01136.JPG
Bas-relief depicting the tauroctony. Mithras is depicted looking to Sol Invictus as he slays the bull. Sol and Luna appear at the top of the relief.

Beck theorizes that the cult was created in Rome, by a single founder who had some knowledge of both Greek and Oriental religion, but suggests that some of the ideas used may have passed through the Hellenistic kingdoms. He observes that "Mithras – moreover, a Mithras who was identified with the Greek Sun god Helios" was among the gods of the syncretic Greco-Armenian-Iranian royal cult at Nemrut, founded by Antiochus I of Commagene in the mid 1st century BCE.<ref name="Beck_2002">Template:Cite encyclopedia</ref> While proposing the theory, Beck says that his scenario may be regarded as Cumontian in two ways. Firstly, because it looks again at Anatolia and Anatolians, and more importantly, because it hews back to the methodology first used by Cumont.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Merkelbach suggests that its mysteries were essentially created by a particular person or persons<ref>Beck, R., 2002: "Discontinuity's weaker form of argument postulates re-invention among and for the denizens of the Roman empire (or certain sections thereof), but re-invention by a person or persons of some familiarity with Iranian religion in a form current on its western margins in the first century CE. Merkelbach (1984: pp. 75–77), expanding on a suggestion of M. P. Nilsson, proposes such a founder from eastern Anatolia, working in court circles in Rome. So does Beck (1998), with special focus on the dynasty of Commagene (see above). Jakobs 1999 proposes a similar scenario."</ref> and created in a specific place, the city of Rome, by someone from an eastern province or border state who knew the Iranian myths in detail, which he wove into his new grades of initiation; but that he must have been Greek and Greek-speaking because he incorporated elements of Greek Platonism into it. The myths, he suggests, were probably created in the milieu of the imperial bureaucracy, and for its members.<ref>Reinhold Merkelbach, Mithras, Konigstein, 1984, ch. 75–77</ref> Clauss tends to agree. Beck calls this "the most likely scenario" and states "Until now, Mithraism has generally been treated as if it somehow evolved Topsy-like from its Iranian precursor – a most implausible scenario once it is stated explicitly."<ref name=Beck-1987/>Template:Rp

File:Rituale Mitraico nel mitraeo di Sutri - Pietas Comunità Gentile.jpg
Mitraic ritual in the Mithraeum of Sutri, officiated by Giuseppe Barbera, Pontefix Maximus of the Roman religious organisation Pietas Comunità Gentile

Archaeologist Lewis M. Hopfe notes that there are only three mithraea in Roman Syria, in contrast to further west. He writes: "Archaeology indicates that Roman Mithraism had its epicenter in Rome ... the fully developed religion known as Mithraism seems to have begun in Rome and been carried to Syria by soldiers and merchants."Template:Efn

Taking a different view from other modern scholars, Ulansey argues that the Mithraic mysteries began in the Greco-Roman world as a religious response to the discovery by the Greek astronomer Hipparchus of the astronomical phenomenon of the precession of the equinoxes – a discovery that amounted to discovering that the entire cosmos was moving in a hitherto unknown way. This new cosmic motion, he suggests, was seen by the founders of Mithraism as indicating the existence of a powerful new god capable of shifting the cosmic spheres and thereby controlling the universe.<ref name=Ulansey-1991-Origins/>Template:Rp

A. D. H. Bivar, L. A. Campbell, and G. Widengren have variously argued that Roman Mithraism represents a continuation of some form of Iranian Mithra worship.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> More recently, Parvaneh Pourshariati has made similar claims.<ref>Template:Cite conference</ref>

According to Antonia Tripolitis, Roman Mithraism originated in Vedic India and picked up many features of the cultures which it encountered in its westward journey.Template:Efn

Later historyEdit

The first important expansion of the mysteries in the Empire seems to have happened quite quickly, late in the reign of Antoninus Pius (b. 121 CE, d. 161 CE) and under Marcus Aurelius. By this time all the key elements of the mysteries were in place.Template:Efn

Mithraism reached the apogee of its popularity during the 2nd and 3rd centuries, spreading at an "astonishing" rate at the same period when the worship of Sol Invictus was incorporated into the state-sponsored cults.<ref name=Beck-1987/>Template:RpTemplate:Efn At this period a certain Pallas devoted a monograph to Mithras, and a little later Euboulus wrote a History of Mithras, although both works are now lost.Template:Refn According to the 4th century Historia Augusta, the emperor Commodus participated in its mysteries<ref>Template:Cite book pp. IX.6: Sacra Mithriaca homicidio vero polluit, cum illic aliquid ad speciem timoris vel dici vel fingi soleat "He desecrated the rites of Mithras with actual murder, although it was customary in them merely to say or pretend something that would produce an impression of terror".</ref> but it never became one of the state cults.Template:Efn

The historian Jacob Burckhardt writes:<templatestyles src="Template:Blockquote/styles.css" />

Mithras is the guide of souls which he leads from the earthly life into which they had fallen back up to the light from which they issued ... It was not only from the religions and the wisdom of Orientals and Egyptians, even less from Christianity, that the notion that life on earth was merely a transition to a higher life was derived by the Romans. Their own anguish and the awareness of senescence made it plain enough that earthly existence was all hardship and bitterness. Mithras-worship became one, and perhaps the most significant, of the religions of redemption in declining paganism.<ref> Template:Cite book </ref> {{#if:|{{#if:|}}

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Persecution and ChristianizationEdit

The religion and its followers faced persecution in the 4th century from Christianization, and Mithraism came to an end at some point between its last decade and the 5th century. Ulansey states that "Mithraism declined with the rise to power of Christianity, until the beginning of the fifth century, when Christianity became strong enough to exterminate by force rival religions such as Mithraism."Template:Efn According to Speidel, Christians fought fiercely with this feared enemy and suppressed it during the late 4th century. Mithraic sanctuaries were destroyed and religion was no longer a matter of personal choice.Template:EfnTemplate:Efn According to L.H. Martin, Roman Mithraism came to an end with the anti-pagan decrees of the Christian emperor Theodosius during the last decade of the 4th century.Template:Efn

Clauss states that inscriptions show Mithras as one of the cults listed on inscriptions by Roman senators who had not converted to Christianity, as part of the "pagan revival" among the elite in the second half of the 4th century.Template:Efn Beck states that "Quite early in the [fourth] century the religion was as good as dead throughout the empire."<ref name=Beck-1987/>Template:Rp Archaeological evidence indicates the continuance of the cult of Mithras up until the end of the 4th century. In particular, large numbers of votive coins deposited by worshippers have been recovered at the Mithraeum at Pons Sarravi (Sarrebourg) in Gallia Belgica, in a series that runs from Gallienus (r. 253–268) to Theodosius I (r. 379–395). These were scattered over the floor when the mithraeum was destroyed, as Christians apparently regarded the coins as polluted; therefore, providing reliable dates for the functioning of the mithraeum up until near the end of the century.<ref name=Clauss-2000/>Template:Rp

Franz Cumont states that Mithraism may have survived in certain remote cantons of the Alps and Vosges into the 5th century.<ref name="Cumont_Mysteries">Template:Cite book pp. 206 Template:Webarchive: "A few clandestine conventicles may, with stubborn persistence, have been held in the subterranean retreats of the palaces. The cult of the Persian god possibly existed as late as the fifth century in certain remote cantons of the Alps and the Vosges. For example, devotion to the Mithraic rites long persisted in the tribe of the Anauni, masters of a flourishing valley, of which a narrow defile closed the mouth." This is unreferenced; but the French text in Textes et monuments figurés relatifs aux mystères de Mithra tom. 1, p. 348 has a footnote.</ref> According to Mark Humphries, the deliberate concealment of Mithraic cult objects in some areas suggests that precautions were being taken against Christian attacks. In areas like the Rhine frontier, barbarian invasions may have also played a role in the end of Mithraism.<ref name="HarveyHunter2008">Template:Cite book</ref>

At some of the mithraeums that have been found below churches, such as the Santa Prisca Mithraeum and the San Clemente Mithraeum, the ground plan of the church above was made in a way to symbolize Christianity's domination of Mithraism.<ref name="churchmithraeum">Template:Cite book</ref> The cult disappeared earlier than that of Isis. Isis was still remembered in the Middle Ages as a pagan deity, but Mithras was already forgotten in late antiquity.<ref name=Clauss-2000/>Template:Rp

Interpretations of the bull-slaying sceneEdit

According to Cumont, the imagery of the tauroctony was a Graeco-Roman representation of an event in Zoroastrian cosmogony described in a 9th-century Zoroastrian text, the Bundahishn. In this text the evil spirit Ahriman (not Mithra) slays the primordial creature Gavaevodata, which is represented as a bovine.Template:Efn Cumont held that a version of the myth must have existed in which Mithras, not Ahriman, killed the bovine. But according to Hinnells, no such variant of the myth is known, and that this is merely speculation: "In no known Iranian text [either Zoroastrian or otherwise] does Mithra slay a bull."<ref>Template:Cite conference</ref>Template:Rp

David Ulansey finds astronomical evidence from the mithraeum itself.Template:Refn He reminds us that the Platonic writer Porphyry wrote in the 3rd century CE that the cave-like temple Mithraea depicted "an image of the world"Template:Efn and that Zoroaster consecrated a cave resembling the world fabricated by Mithras.Template:Efn The ceiling of the Caesarea Maritima Mithraeum retains traces of blue paint, which may mean the ceiling was painted to depict the sky and the stars.<ref>Template:Cite book</ref>

Beck has given the following celestial composition of the Tauroctony:<ref>Template:Cite book</ref>

Component of Tauroctony Celestial counterpart
Bull Taurus
Sol Sun
Luna Moon
Dog Canis Minor, Canis Major
Snake Hydra, Serpens, Draco
Raven Corvus
Scorpion Scorpius
Wheat's ear (on bull's tail) Spica
Twins Cautes and Cautopates Gemini
Lion Leo
Crater Crater
Cave Universe

Several celestial identities for the Tauroctonous Mithras (TM) himself have been proposed. Beck summarizes them in the table below.<ref name=Beck-2004-TM-ID>Template:Cite book</ref>

Scholar Identifies tauroctonous Mithras (TM) as<ref name=Beck-2004-TM-ID/>
Bausani, A. (1979) TM associated with Leo, in that the tauroctony is a type
of the ancient lion–bull (Leo–Taurus) combat motif.
Beck, R.L. (1994) TM = Sun in Leo
Insler, S. (1978) [tauroctony = heliacal setting of Taurus]
Jacobs, B. (1999) [tauroctony = heliacal setting of Taurus]
North, J.D. (1990) TM = Betelgeuse (Alpha Orionis) setting,
TM knife = Triangulum setting,
TM cloak = Capella (Alpha Aurigae) setting.
Rutgers, A.J. (1970) TM = Sun,
Bull = Moon
Sandelin, K.-G. (1988) TM = Auriga
Speidel, M.P. (1980) TM = Orion
Ulansey, D. (1989) TM = Perseus
Weiss, M. (1994, 1998) TM = the Night Sky
File:Mithras banquet Louvre Ma3441.jpg
Sol and Mithras banqueting with Luna and the twin divinities Cautes and Cautopates, his attendants (side B of a double-sided Roman marble relief, 2nd or 3rd century CE)

Ulansey has proposed that Mithras seems to have been derived from the constellation of Perseus, which is positioned just above Taurus in the night sky. He sees iconographic and mythological parallels between the two figures: both are young heroes, carry a dagger, and wear a Phrygian cap. He also mentions the similarity of the image of Perseus killing the Gorgon and the tauroctony, both figures being associated with caverns and both having connections to Persia as further evidence.<ref name=Ulansey-1991-Origins/>Template:Rp Michael Speidel associates Mithras with the constellation of Orion because of the proximity to Taurus, and the consistent nature of the depiction of the figure as having wide shoulders, a garment flared at the hem, and narrowed at the waist with a belt, thus taking on the form of the constellation.<ref name=Speidel-1997>Template:Cite book</ref>

In opposition to the theories above, which link Mithras to specific constellations, Jelbert suggests that the deity represented the Milky Way.<ref>Template:Cite journal</ref> Jelbert argues that within the tauroctony image, Mithras' body is analogous to the path of the Milky Way that bridges Taurus and Scorpius, and that this bifurcated section mirrors the shape, scale and position of the deity relative to the other characters in the scene. The notion of Mithras as the Milky Way would have resonated with his status as god of light and lord of genesis, suggests Jelbert, due to the luminosity of this celestial feature, as well as the location of the traditional soul gates at Taurus-Gemini and Scorpius- Sagittarius, portals once believed to represent the points of entry for the soul at birth and death respectively.

Beck has criticized Speidel and Ulansey of adherence to a literal cartographic logic, describing their theories as a "will-o'-the-wisp" that "lured them down a false trail".<ref name=Beck-2004-InPlcLion>Template:Cite book</ref> He argues that a literal reading of the tauroctony as a star chart raises two major problems: it is difficult to find a constellation counterpart for Mithras himself (despite efforts by Speidel and Ulansey) and that, unlike in a star chart, each feature of the tauroctony might have more than a single counterpart. Rather than seeing Mithras as a constellation, Beck argues that Mithras is the prime traveller on the celestial stage (represented by the other symbols of the scene), the Unconquered Sun moving through the constellations.<ref name=Beck-2004-InPlcLion/> But again, Meyer holds that the Mithras Liturgy reflects the world of Mithraism and may be a confirmation for Ulansey's theory of Mithras being held responsible for the precession of equinoxes.Template:Efn

Peter Chrisp posits that the killing was of a "sacred bull" and that the "act [was] believed" to create the universe's life force and maintain it.<ref>Template:Cite book</ref>

Comparable belief systemsEdit

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File:Cautes riding bull, Hermannstadt.jpg
Mithraic altar depicting Cautes riding a bull (Sibiu/Hermannstadt, Romania)

The cult of Mithras was part of the syncretic nature of ancient Roman religion. Almost all Mithraea contain statues dedicated to gods of other cults, and it is common to find inscriptions dedicated to Mithras in other sanctuaries, especially those of Jupiter Dolichenus.<ref name=Clauss-2000/>Template:Rp Mithraism was not an alternative to Rome's other traditional religions, but was one of many forms of religious practice, and many Mithraic initiates can also be found participating in the civic religion, and as initiates of other mystery cults.<ref>Template:Cite book</ref>

ChristianityEdit

Template:See also Early Christian apologists noted similarities between Mithraic and Christian rituals, but nonetheless took an extremely negative view of Mithraism: they interpreted Mithraic rituals as evil copies of Christian ones.<ref name="RichardsonHopfe1994-2">Template:Cite book </ref><ref> {{#invoke:citation/CS1|citation |CitationClass=web }} </ref> For instance, Tertullian wrote that as a prelude to the Mithraic initiation ceremony, the initiate was given a ritual bath and at the end of the ceremony, received a mark on the forehead. This mark on the forehead may have likely been the Latin letter, "M", which stood for the name of their messianic god-king Mithras. Turtullian also described these rites as a diabolical counterfeit of the baptism and chrismation of Christians.<ref>Template:Cite book</ref> Justin Martyr contrasted Mithraic initiation communion with the Eucharist:<ref>Template:Cite book</ref>

Wherefore also the evil demons in mimicry have handed down that the same thing should be done in the Mysteries of Mithras. For that bread and a cup of water are in these mysteries set before the initiate with certain speeches you either know or can learn.<ref>

Template:Cite book </ref>

Ernest Renan suggested in 1882 that, under different circumstances, Mithraism might have risen to the prominence of modern-day Christianity. Renan wrote: "If the growth of Christianity had been arrested by some mortal malady, the world would have been Mithraic".<ref> Template:Cite book </ref>Template:Efn This theory has since been contested. Leonard Boyle wrote in 1987 that "too much ... has been made of the 'threat' of Mithraism to Christianity",<ref> Template:Cite book </ref> pointing out that there are only fifty known mithraea in the entire city of Rome. J.A. Ezquerra holds that since the two religions did not share similar aims, there was never any real threat of Mithraism taking over the Roman world.Template:Efn Mithraism had backing from the Roman aristocracy during a time when their conservative values were seen as under attack during the rising tides of Christianity.<ref>Template:Cite book</ref>

According to Mary Boyce, Mithraism was a potent enemy for Christianity in the West, though she is sceptical about its hold in the East.Template:Efn<ref> Template:Cite book </ref><ref>Template:Cite encyclopedia</ref> F. Coarelli (1979) has tabulated forty actual or possible Mithraea and estimated that Rome would have had "not less than 680–690" mithraea.<ref name=HaaseTemporini1984> Template:Cite book </ref>Template:Efn L.M. Hopfe states that more than 400 Mithraic sites have been found. These sites are spread all over the Roman empire from places as far as Dura-Europos in the east, and England in the west. He, too, says that Mithraism may have been a rival of Christianity.Template:Efn David Ulansey thinks Renan's statement "somewhat exaggerated",Template:Efn but does consider Mithraism "one of Christianity's major competitors in the Roman Empire".Template:Efn

See alsoEdit

FootnotesEdit

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Further readingEdit

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